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The Cultural and Creative Industries: A Critical History - Coggle Diagram
The Cultural and Creative Industries:
A Critical History
Approaches: they represent different narrativesin different contrexts.
Institution and practices
Constructivist perspective
Digital revolution
Historic review
Connection between culture and politcs become closer with the notion of ideology.
Adorno and Horkheimer: the control of the worker to the sphere of everyday life.
New kind of cultural political space.
Girard:
Positive view to the notion of indutry as a collective project.
The cultural industry was also about markets and profits.
Positive appropiation of new technologies of production, reproduction and distribution.
Repudiation of the elitist.
1990´s
More democratic culture.
Correct negative tendencies.
Markets redefined.
The culture value
The use value was diffucult to identify.
Rapid obsolence and become public goods.
The labour recquired was diffucult to manage.
Culture industry had to
provide some use-value in order to generate exchange-value.
Space for authentic cultural value at the heart of commercial culture.
Use and exchange value
Culture is ordinary.
A participatory and interactive cultural democracy.
Cultural politics = everyday life.
A new culture and creative economy
Emphasis on the small and local.
The eradication of any contradiction between culture and economy.
Two main thrusts: national identity and national economy.
Creative industry or new culture industry
Creative industries are presented as a reduction of culture to
the economy.
Change from Cultural to Creative.
The cultural capacity for innovation went beyond the
edges of established rules.
The new entrepreneur = rebel artists