Please enable JavaScript.
Coggle requires JavaScript to display documents.
FILM MUSIC AS CINEMATIC CALL - Coggle Diagram
FILM MUSIC AS CINEMATIC CALL
DIRECT ANIMAL-ORIENTED AFFECTIVE CONGRUENCE
AFFECTIVE CHARGES OF FILM MUSIC AND NHA CALL ARE CONGRUENT
PROS: STRIAGHTFORWARD CASE:THE NHA CALL IS POWERFUL
PROBLEMS/ LIMITATIONS: IT MIGHT BE RARE DUE TO OUR LIMITED KNOWLEDGE OF EXPRESSIVITY OF MANY INDIVIDUALS AND SPECIES
PROBLEMS/LIMITATIONS: IT MIGHT HEAVILY DEPEND ON THE NARRATIVE CONTEXT, WHICH ELUCIDATES THE NHA CALL [ALTHOUGH WE COULD ARGUE HUMAN CALLS ARE ALSO CONTEXT-DEPENDENT]
TWO BROTHERS
FILM MUSIC: STRENGHTENING AND CLARIFYING NHA CRYPTIC CALLS
SUPPOSEDLY POLARISING EFFECT LEADS TO REFLECTION AND REVEALING OF ANIMAL-ORIENTED AFFECTIVE CONGRUENCE
INITIALLY THE SCENE HAS A POLARISING CHARACTER, THEN AS WE LEARN ON NHA CALL, IT BECOMES AFFECTIVELY CONGRUENT
FROM ANTHROPOCENTRIC POLARISATION TO ANIMAL-CENTRIC AFFECTIVE CONGRUENCE
PROS: ILLUMINATING CHARACTER OF THE RELATIONSHIP / OVERCOMING ANTHROPOCENTRIC APPROACH
PROBLEMS/ LIMITATIONS: RESTS ON THE SPECTATOR'S ABILITY AND WILLINGNESS TO INVESTIGATE AND CHALLENGE THE SUPPOSED INCONGRUITY OF THE FILM-IMAGE
MY IMAGINARY EXAMPLE OF THE SMILING CHIMP, ACCOMPANIED BY TENSE AND UNSETTLING MUSICAL SCORE
INDIRECT ANIMAL-ORIENTED AFFECTIVE CONGRUENCE
AFFECTIVE CHARGE OF FILM MUSIC IS CONGRUENT WITH THAT OF THE SYMPATHETIC HUMAN CHARACTER (PROXY)
PROS: MIGHT BE HELPFUL FOR SPECTATORS WHO FIND IT DIFFICULT TO ATTUNE TO NHA AND THEIR CALL - DUE TO NHA'S FOREIGN EXPRESSION OR SPECTATOR'S OWN LIMITATIONS
PROBLEMS/LIMITATIONS: IT CAN BE VIEWED AS ANTHROPOCENTRIC SINCE IT IS THE HUMAN PROXY WHO IS THE POINT OF REFERENCE FOR THE SPECTATOR
PROBLEMS/LIMITATIONS: RISK OF THE HUMAN PROXY PROJECTING OWN STATES ON THE NHA CHARACTER, LEADING TO POTENTIALLY NEGATIVE ANTHROPOMORPHISM
POSSIBLY
MY OCTOPUS TEACHER
PRODUCTION AND FRAMING OF POIGNANT MUSICAL SILENCE
THE JUXTAPOSITION OF FILM MUSIC AND MUSICAL SILENCE AS CREATING POWERFUL CONTRAST
PROS: GIVES PRECEDENCE TO NHA CALL
PROS: IT AVOIDS POTENTIAL PROJECTION OF ANTHROPOCENTRIC AFFECTS ONTO A NHA CHARACTER, LEADING TO NEGATIVE ANTHROPOMORPHISM
PROS/LIMITATIONS/PROBLEMS: IT CAN LEAD TO A RANGE OF IDIOSYNCRATIC RESPONSES ON THE VIEWER'S PART IF THE NHA CALL IS CRYPTIC
BATTLE OF THE QUEENS
FINAL SCENE*
FILM MUSIC AS CRITICAL AND REVELATORY TOOL
PROBLEMS/LIMITATIONS: THIS EFFECT CAN BE UNINTENTIONAL ON THE FILM-MAKER'S PART, IT DEPENDS ENTIRELY ON THE SPECTATOR'S OWN ATTUNEMENT TO NHA AND THEIR CALL AND THEIR DISPOSITION FOR A CRITICAL EVALUATION OF NHA REPRESENTATION
FILM MUSIC AS REVEALING THE ANTHROPOCENTRIC MECHANISMS AT PLAY AND HOW THEY FUNCTION AT THE EXPENSE OF THE NHAS
PROS: CRITICAL, POSSIBLY SATIRICAL OR IRONIC DEPICTION OF ANTHROPOCENTRISM
USUALLY WILL OCCUR WHEN FILM MUSIC IS AFFECTIVELY CONGRUENT WITH HUMAN CHARACTERS AND PROMINENTLY INCOGRUNENT WITH NHAS
OF HORSES AND MEN
FINAL SCENE
FILM MUSIC DOES NOT OVERRIDE THE SOUNDSCAPE AND LETS NHA CALLS TO TAKE PROMINENCE