The pithy slogan of "Career and College Readiness" is especially ironic given the loss of status, diminished power, and cultural capital that come with the more severe special education labels. Rather than the solution to the problem, the self-contained special education classroom, if not the problem itself, is nevertheless one of the barriers for the future integration of children with disabilities into society (Linton, 2010). At these early and critical stages of life, the social future of disabled children has been compromised, not by well-intentioned teachers,6 but by the system of special education, unexamined communication, and the social and built environments.
This project included many modalities that might capture the personal interests of students with labels. Although these interventions were not overtly political acts of activist art, they were an intentional disruption of predictable campus life-to break down unspoken barriers based on a "collective desire to make something new" (Thompson, 2015, p. 45). Nato Thompson (2015) calls this ambiguous use of space a radical break from coercive and totalizing structures that not only allowed "each member to produce cultural forms-they also allowed them to participate in the production of themselves" (pp. 45-46). Additionally, the opportunity to lead, to plan, perform in groups, and move through spaces both inside and outside the classroom, are important aspects of art education
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