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SELECTED FOLK DANCES, MUSIC, COSTUME, AND FORMATION - Coggle Diagram

- - - - Bakya Dance
        
        Ba-o
        
        Baruray
        
        Bendian
        
        Chotis
        
        Esperanza
        
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        Costume: Dancers are dressed in any old style costume.
        
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        Costume: Kambal – long sleeved jacket of abel Iloko (Ilocano weave) with broad stripes of blood red, bottle green, blue, black and white accented with strips of checkered cloth  Aken (Divet) – knee-length wrap- around skirt of the same material as the jacket.
        
        Music: It is 2/4 composed of six parts; a, B, C, D, E, and F.
        
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        Costume: Girls are dressed in balintawak; boys in barong tagalog and long trousers, white or colored.
        
        Music: It is divided into four parts; A, B, C, and D.
        
        Count: one, two, and three to a measure.
        
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        Costume: Girls are dressed in bakintawak and boys in barong tagalog with white trousers.
        
        Music: It is divided into four parts: A, B, C, and D.
        
        Count: one, two, three to a measure of ¾ time and one, two, or one and, two to a measure of 2/4 time.
        
        Formation: Partners stand opposite each other about six feet apart. When facing the audience, girls are at their partners’ right. Each set is composed of three couples. From one to any number of sets may take part
        in this dance.
        
        Costume: Girls wear balintawak and boys barong tagalog with red trousers. All wear “bakya”.
        
        Music: It is divided into four parts: A, B, C, and D.
        
        Count: one, two and three to a measure of ¾ time and one, two to a measure in 2/4 times.
        
        Formation: Partners stand opposite each other about six feet apart. The girls stand at partners’ right
        when facing the audience. From two to any number of even pairs may take part.
      - Costume: Girls wear an old style costume or any native costume, which is appropriate for wedding dress;
        the boy wears barong Tagalog and black trousers.
        
        Music: It is divided into four parts: A, B, C, and D.
        
        Count: one, two, and three to a measure
        
        Formation: The girl is seated. The boy stands on one side, facing the girl.
    - - Music: It is divided into two parts: A and B.
        
        Count: one, two, and three to a measure.
        
        Formation: Partners stand side-by-side facing the audience. The girl stands at the boy’s right side. From
        one to any number of pairs may take part in this dance.
  - - - Mazurka de Jagna
        
        Pahid
        
        Pampilpilalecan
        
        Pandanggo sa ilaw
        
        Costume: The girl is dressed in balintawak, the boy in long red trousers and barong tagalog.
        
        Music: is one, two and three to a measure.
        
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        Pasakat
        
        Costumes: Ladies wear the Maria Clara; gentlemen wear black trousers with a white embroidered barong
        tagalog or long barong tagalog with a black jacket.
        
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        Polka Sala
        
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        Costume: The girl wears a Maria Clara of the Colegiala variation with beaded cocho slippers and the boy wears a barong tagalog with dark colored pants and black leather shoes.
        
        Music: is composed of three parts; A, B, and C.
        
        Count: 1, 2, 3 to a measure.
        
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        Costume: The girls wear a peasant kimono and patadyong with scarf and boy wear a camisa de chino
        with any colored peasant pants, and in a barefoot.
        
        Music: It is ¾ composed of two parts; A and B.
        
        Count: 1, 2, and 3 to a measure.
        
        Formation: Partners face each other about six feet apart. When facing audience, girl stands at the right
        side of the boy.
        
        Costume: The girl wears an ampir or umpire style with a scarf and the boy wears a barong tagalog with
        dark colored pants and black leather shoes.
        
        Music: It is ¾; composed of four parts: Introduction A, B, and C.
        
        Count: 1, 2 and 3 to a measure.
        
        Formation: Partners stand opposite each other about six feet apart. Girl is at the right side of the boy
        when facing audience. Any number of pairs may take part in the dance.
      - Costume: The girls are dressed for work in patadyong, chambray or kimono and a short skirt. A piece of cloth or a large neckerchief covers the head. The boys wear colored trousers and shirts. The trousers and the sleeves are rolled and all are barefoot.
        
        Music: It is divided into three parts; A, B, and C.
        
        Count: one, two, and three to a measure.
        
        Formation: Boy stands in two parallel lines facing the audience. Girls do not enter until figure III. From
        one to any number of pairs may take part in this dance.
    - - Music: is divided into twelve parts: Introduction, A, B, C, D, E, F, G, H, J, K, and
        
        Formation: Partners stand near each other, ladies at partner’s right side. Dancers stand in a quadrille
        formation all-facing in a hollow square. From four to any number of even pairs may take part.
  - - - Count: one, two, and there to a measure
        
        Formation: Partners stand opposite each other about eight feet apart. The girl stands at her partners’
        right side when facing the audience.