Their departure does not leave the stage empty for long. Romeo enters (at the opposite side of the stage) accompanied by Mercutio and Benvolio, with a few other companions. They are all disguised—wearing fancy dress and comic masks to hide their faces. Attendants bear torches, and there are probably musical instruments—certainly there is a drum (line 114). Benvolio has organized a masquerade—an amateur entertainment, fashionable in the sixteenth century, in which gentlemen could visit a party to which they had not been invited. After making a speech to the host (the speech referred to by Benvolio in the first line of the scene), the strangers would dance, flirt with the ladies, pay compliments to the host, and then depart. The host regarded the arrival of masquers as a form of flattery, not in any sense an intrusion into the privacy of his party. Throughout the scene we are constantly made aware of the fact that it is dark; night has fallen, and torches must be used to give the illusion of darkness. Benvolio and Mercutio are full of enthusiasm for the masquerade, but Romeo is reluctant to join them. He would prefer to be alone with his love-sick misery—and he has a strong sensation of impending disaster: ‘I dream’d a dream tonight’. But before Romeo’s dream can threaten to spoil the light-hearted fun of the scene, Mercutio’s energetic imagination explodes into life with his fantastic ‘Queen Mab’ speech. The speech is sheer invention, and must be enjoyed as such—having no deeply significant meaning, and no particular relevance to the action of the play (except to allow enough time for Capulet’s guests to eat their supper). Before the masquers leave the stage Romeo voices his unease, and then resigns himself to fate.