Female Subjectivity in A Lost Lady EB1C4EFE-259C-47D3-A81D-5F4893E9C4D7_4_5005_c

RELATIONSHIPS WITH MALE CHARACTERS

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LIMITS PLACED ON FEMALE SUBJECTIVITY

SETTING

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MRS FORRESTER PUSHES AGAINST USUAL GENDERED IDEALS

USE OF FEMININE BEAUTY

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It is said throughout the novel that Mrs Forrester is an extremely attractive lady

"attractive in dishabille and she knew it"

From the opening of the play her subjectivity is demonstrated through the use of her beauty

We are reminded that she would run to the door to greet her husbands guests

“she had been known to rush to the door in her dressing gown, brush in hand”

Yet her beauty is not used for her own good but to the advantage of her husband

Male Expectations

The novel is written from the perspective of a conservative male

So it is no wonder to a reader why Mrs Forrester's domesticated lifestyle is romanticised in the opening

The men in this novel hold women like Mrs Forrester to a standard as shown by when Niel attempts to deter her from spending time with Ivy Peters

Cather depicts a bold female protagonist in Mrs Forrester and in doing so the reader sees her break out of the societal mould of subjectivity

"I can't be bothered about their talk. They have always talked about me and they always will"

Mrs Forrester has no interest in upholding her reputation in order that society won't talk about her

One could argue it is simply internalised misogyny that makes this seem like a 'limit' to her subjectivity

She uses her beauty for the male attention she receives from these guests, not for the good of her husband

Mrs Forrester continually flirts with the younger male characters in the novel

Mr Forrester

She does appear value her husband

'to me it was as if one of the mountains had fallen down"

She shows her concern in asking Niel to look out for him after his fall

Yet his death doesn't seem to largely effect her

critiques would argue this is due to the fact that he was 25 years her elder and therefore not satisfying her the way a wife would desire

Theres a certain sense of freedom after his death, as highlighted through Marians actions in flirting with new men and taking on new lovers

Niel

"For one knew that she was bewitching. It was instantaneous and pierced the thickest hide"

Niel recognises the power Mrs Forrester holds and yet this is subjected to her domesticated role

Niel is a traditional, conservative male he is not attracted to the idea of a woman taking on the role of a man

He is not a man who will ever be "dillusioned about the West"

Sweet Water was a small and traditional town and along side this came the small town mentality

The Forrester's home is depicted as a domestic haven where travellers would come to rest and spend time with Cpt Forrester on their journey

The house being romanticised to the degree it is was primarily down to Ms Forrester and her role as lady of the household

Immediately, in the opening of the novel, the readers are reminded that Marian is tied to and bound by her domestic role as wife

We read that she was ' always there" waiting for the next guests to run and greet them at the door l

Sexuality

Mrs Forrester is not an overly sexualised character in fact this is barely mentioned

Cather's avoidance of sex “might be explained by the fact that too explicit a depiction of Marian’s sexuality would affect the primary effect of delightful domesticity too radically” (Peter Messent)

The lack of mention upholds her innocent character as the devoted and domesticated house wife