"These omissions make sense as they are in sync with King’s desire to use dance as an investigatory tool to respond to philosophical questions. Recalls former company member Tanya Wideman-Davis, when dancing for King, “the values of the ballet world disappeared” in a way that “liberated.”6 As a result, ages, names of teachers, definitions, races, and genders—all ways to differentiate—are not fruitful in King’s vision of art as a bridge. He views ballet as a science, the way more than a few see universality in music or mathematics, and he appreciates that dance requires high levels of precision and articulation. " (Jill Nunes Jensen, Voicing Dance)
THE NON-STYLISTIC BODY// Correlating to Bruce Lee's insistence on "No Style" https://youtu.be/0yCeduVJW9s
"Style tends to not only separate man, because they have their own doctrines, then the doctrines become the gospel truth that you cannot change.. if you do not have style, here I am, as a human being, how can I express myself totally and completely? That way, you won't create a style.... A style is a CRYSTALLIZATION. Not a process of continuing growth"
Viewing physical arts as a science... requiring "high levels of precision and articulation". >> Creation of Jeet Kune Do, with special focus on efficiency and lack of embellishments
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How is the ego then formed? How is the awareness of our own human form constructed? In Laura Mulvey's essay "Visual Pleasure and Narrative Cinema", she mentions the mirror phase for children
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