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Iets met fans en activisme - Coggle Diagram
Iets met fans en activisme
Alexander argues that the audience hasn’t become more free in their choices, but predictive personalization of SVODs such as Netflix instead limits their choices; this limits personalization.
Keaton’s analysis of Netflix’ algorithms and models.
Kant’s definition of taste to do her research.
Brough and Shresthova argue that fan activism is similar if not the same as conventional activism, and they want to problematize dichotomies between participation and resistance and between the commercial and the political.
pre-existing communities can play an important role in making movements
Wellman’s term ‘networked individualism’ for their analysis
Havens focuses on the branding of Netflix and argues that “a robust brand hierarchy is crucial to the competition for subscribers.” Part of his argumentation is that Netflix brands itself as an individualized experience.
Havens argues that programme branding hasn’t necessarily only started to appear in the new media era,
transnational elements of a brand are paratexts
Maybe you can add a new source about someone who says television is dead?
Jenkins argues here that communities, different sorts of media and different powers come together in what he calls convergence culture.
Neuman’s analysis in which people weren’t ready to accept available technological advancements, saying that about a decade later this has changed.
He goes against George Glider, who saw coming media as individualizing rather than creating communities, though Jenkins also sees Glider’s theory as a way to democratize television.
Jenner argues that Netflix is in tension between the national and transnational, having to incorporate elements from both forms of TV
In a way she agrees with Iwabuchi that the national and transnational are often entangled.
She also builds on Couldry’s conclusion that media is decentered.
Katz analyzes the changes in television and then argues that television is not dead, but simply changing.
debate on political viewership
Diana Mutz argues that television has lessened political participation
Scannell on the other hand argues that television has had democratizing effects
SVODs can have globalizing influences, though this globalisation in turns shapes and influences localization.
characterisation of television as a ‘series of battlegrounds through which power is enacted and negotiated’
discussion on cultural imperialism
giving SVODs like Netflix the possibility to ‘program from afar’.
Lotz’s concept of the ‘post-network era’.
Robinson argues that audiences have become more active and engaged in the planning of their media consumption: audiences have moved from surfing to searching to seeking, to curating.
Robinson mentions that the definition he wants to use for curating is different from Steven Rosenbaum’s.