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Annotation map, Additional three sources: - Coggle Diagram
Annotation map
Contemporary debate
Moore, Ramey. “Everything Else is Drag: Linguistic Drag and Gender Parody on RuPaul’s Drag Race.” Journal of Research in Gender Studies 3, no. 2 (2009): 15-26.
Molina-Guzman, Isabel. “Salma Hayek’s Celebrity Activism: Constructing Race, Ethnicity, and Gender as Mainstream Global Commodities.” In Commodity Activism: Cultural Resistance in Neoliberal Times, edited by Roopali Mukherjee and Sarah Banet-Weiser, 124-53. New York: New York University Press, 2012.
Beer, D. Metric Power. London: Palgrave Macmillan, 2016.
Jenkins, Henry. "'Cultural Acupuncture': Fan Activism and the Harry Potter Alliance." In Transformative Works and Fan Activism, edited by Henry Jenkins and Sangita Shresthova, special issue, Transformative Works and Cultures, no. 10, 2012. doi:10.3983/twc.2012.0305.
Fuchs, C. Foundation of Critical Media and Information Systems. London: Routledge, 2011.
Proulx, M and Shepatin S. Social TV: How Marketers can Reach and Engage Audiences by Connecting Television to the Web, Social Media, and Mobile. Hoboken, N.J.: John Wiley & Sons, 2012.
Scott, Suzanne. Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry. New York: NYU Press, 2019. muse.jhu.edu/book/76066
Stanfill, Mel. Exploiting Fandom: How the Media Industry Seeks to Manipulate Fans. 1st ed., Iowa City: University of Iowa Press, 2019. muse.jhu.edu/book/64197.
Glosson, Sarah. Performing Jane: A Cultural History of Jane Austen Fandom. Baton Rouge: Louisiana State University Press, 2020. muse.jhu.edu/book/76001.
Revision
Drake, P. and Higgins, M. “‘I’m a celebrity, get me into politics’: the political celebrity and the celebrity politician.” In Framing celebrity: new directions in celebrity culture, edited by S. Holmes and S. Redmond, 87-100. London and New York: Routledge, 2006.
Fuchs, C. Foundation of Critical Media and Information Systems. London: Routledge, 2011.
Cernetig, M. “American Idol Meets The West Wing.” The Globe and Mail (21 September: 2002). www.theglobeandmail.com/servlet/ArticleNews/printarticle/gam/20020921/UTVTVN.
Murray, Simone. “’Celebrating the story the way it is’: cultural studies, corporate media and the contested utility of fandom,” Continuum 18, no.1 (2004): 7-25. DOI: 10.1080/1030431032000180978.
Proffitt JM, Yune Tchoi D and McAllister MP. “Plugging back into the matrix: The intertextual flow of corporate media commodities.” Journal of Communication Inquiry 31, no.3 (2007): 239–254.
https://doi-org.proxy.library.uu.nl/10.1177/0196859907300955
.
Stein, Louisa Ellen. "Subject: 'Off Topic: Oh My God, US Terrorism!' Roswell Fans Respond to 11 September." European Journal of Cultural Studies 5 (2002): 471–91. doi:10.1177/1364942002005004297.
Points
fandom
Embodiment
Exploitation
Free labor thesis
sociology of the arts,
Feminism
Classic texts
Wolff, Janet. The Social Production of Art. 2nd ed. New York: New York University Press, 1993.
Abercrombie, N and B. Longhurst. Audiences: A Sociological Theory of Performance and Imagination. London: Sage, 1998.
Butler, Judith. Bodies That Matter. New York: Routledge, 1993.
https://www.researchgate.net/publication/280717691_Book_Review_of_Judith_Butler_1993_Bodies_that_Matter_Routledge
Kellner, Douglas. Media Culture: Cultural Studies, identity and politics between the modern and the post-modern. London and New York: Routledge, 1995.
Possibly good for revision
Fuchs, C. Foundation of Critical Media and Information Systems. London: Routledge, 2011.
Beer, D. Metric Power. London: Palgrave Macmillan, 2016.
Fuchs, C. Foundation of Critical Media and Information Systems. London: Routledge, 2011.
Additional three sources:
Hall, Stuart. 1997. “The work of representation.” In Representation: Cultural
Representations and Signifying Practices, 15–64 . London: Sage.
Guidry, John, Kennedy, Michael D., and Zald, Mayer, eds. Globalizations and Social Movements: Culture, Power, and the Transnational Public Sphere. Ann Arbor: University of Michigan Press, 2000.
Jenkins, Henry. Textual Poachers: Television Fans and Participatory Culture. London: Taylor & Francis Group, 2012.