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Module 3: Part 3.I Black History & Abolitionism (20th cent), Further…
Module 3: Part 3.I Black History & Abolitionism (20th cent)
The Black Experience through the Civil War
General sense of (political) disillusion
American Revolution
despite these ideals (freedom, independence), slavery continued to exist, the ideals were for whites only
disillusion, tension and disappointment for African Americans
Civil War (1861-1865) > 1863: Emancipation Proclamation
Brought an end to slavery proper, the Emancipation proclamation constituted the formal end of slavery as a legal phenomenon, but still racism, fewer and lesser opportunities and segragation (new phase of racism)
Slavery
First Slaves: 1619/Jamestown
NY Times 1619 project
Redirects the intention from the 4th July 1776 -> Arrival of the first enslaved Africans 1619
The celebration of America's birth in 1776 coes not pay sufficient attention to the system of slavery and its impacts
slaves were considered to be "objects"
Slaves were advertised and traded like objects
health and capability of exploitation for work was relevant
slave auctions..
slaves were tortured, had to suffer physically (and mentally)
slave cabins/quarters
only a minority were household slaves and "city slaves"
daily lives of slaves were regulated by slavery codes
African/Black Heritage - Oral Tradition
did survive in slavery and on plantations
African American folklore, songs, prayers and sermons
work songs, secular rhymes and songs, blues, jazz, and stories
songs for different situations (the owner is here, watch out or the owner is away, you could try to escape today)
dances, wordless musical performances, stage shows and visual art forms
African Americans not just mere victims but also Agents, cultural actors and vivid contributors to American culture
Slavery Code
Slaves Codes forbid the participation to public culture and literacy
Fear that slaves might read texts that would evoke the spirit of freedom -> slaves were rarely allowed to learn reading and writing
ruling over slaves by inflicting fear
Context of African American Writing
Survival
Will and need to survive under adverse and repressive circumstances
feelings of oppression, dehumanization, experience of racism
Slaves were simply considered "property"
legalized inequality
collectivity of experiences
Middle passage
transport from Africa to America (buffalo soldier)
having to live separate from whites
interrelations Whites - Blacks
importance
confrontations and conflicts with whites and white culture
(African) heritage
against European/American perceptions and formulas
integral part of American literature
three early poets
Lucy Terry
Jupyter Hammon
Phillis Wheatley (1753-1784)
captured in Africa and sold into slavery
Poems on Various Subjects, Religious and Moral
first volume published by an African American Individual
London 1773, Philadelphia 1786
was permitted to educate herself by her Christian owners
gave her a more positive point of view of white people
despite the racist reactions she received when her plan of publishing poetry became known
She studied 3 sources: Bible, Latin and Greek and neoclassical English writers
Corpus of 36 poems have been preserved
Her form is neoclassical and strictly conventional
she has been accused of nearly imitating Eurocentric conventions
perspectives and concerns
she focuses on an African American experience > race
woman > gender
American > colonial/postcolonial/national
discusses the perspective of a self-conscious artist/her own role as a poet -> metaliterary or politological perspective
On being brought from Africa to America
Christian in substance and outlook
thankfulness that she is in America where she became a Christian and got to know god
on the other hand, a slight but present discussion of the Situation of African Americans is ingrained.
"She was forcefully, against her will, brought to America from Africa"
She shows resistance and issues a warning
Ambivalence
Untertones
Finding a voice
Bicultural/two traditions
benighted vs knighted in the voice/ a strong soul/person
die = color vs dying
Abolitionism
e.g.:
William L. Garrison > 1831ff: The Liberator
Wave of publications, e.g.
David Walker, An Appeal to the Coloured Citizens of the World (1829)
H.B. Stowe, Uncle Tom's Cabin (1852)
Orations/Sermons
Sojourner Truth
Frederick Douglass
What to the slave is the forth of July?
for the slave -> the gross injustice and cruelty to which he is the constant victim
no nation on earth with same cruelty and bloody practices as the united states..
the slave is not included in the independence
The freedom that brought life and healing to the Whites, brought stripes and death to the slave.
a protest/movement/the abolitionist movement is needed
The hypocrisy of the nation must be exposed, the conscience of the nation must be roused
Finally expression of hope that slavery will end
Folk Poetry, Spirituals, Secular Songs, Folktales
The American Anti-Slavery Almanac
Woman that killed her children because she did not want them to be enslaved and suffer for years.
Official end to slavery
Emancipation Proclamation (1863)
Fourteenth Amendment/ Civil War Amendments (late 1860s)
Slave Narratives
genuinely American/African American form
new canon
1760s ff.
first examples:
Briton Hammon
John Marrant
Olaudah Equiano (1789)
Editorial manipulation/interference
tension between black voice speaking and white person transcribing/recording
became popular in the 1840s/1850s
indebted to diverse forms
didactic
show cruelties of slavery, fuel abolitionist movement
individual -> collective
sometimes pseudonyms
it was dangerous to voice abolitionist perspectives
if a slave escaped to the north and wrote a slave narrative it was prescribed by law to return the slave to the south..
specifications
structure: journey pattern: 3 stages -> agency
stock scenes/characters
auction scenes, sale of children, destruction of families
physical punishment
sexual exploitation and oppression
melodramatic
victimization of the protagonist by evil forces
bipolar structures and strategies
"good vs bad"
emotional rhetoric strategies, stur the reader into action for the immediate abolition of slavery
2 major audience(s)
fellow African Americans that were encouraged to believe that they deserved to be free
White middle class readers, esp. women who were to be enraged and stired into action
representatives
Olaudah Equiano (1745-1797)
Frederick Douglass (1817-1895)
Narrative of the Life of Frederick Douglass, an American Slave (1845)
translated into German and has also gotten popular in Germany
follows typical pattern of slave narratives
specific:
his surge for freedom and his ability to gain freedom is explicitly linked to the acquisition of education
His ability to learn how to read/write
tricking his white owners/children to teach him how to read/write
Harriet A. Jacobs
Elizabeth Keckley (1818-1907)
Mrs. Lincoln's Dressmaker
Behind the scenes: thirty years a slave and four years in the White House (1868)
experienced all kinds of horrifying aspects of slavery
rape, physical violence, being separated from her family ..
ultimately she managed to buy her own freedom
she got married, her marriage wasn't happy -> she got separated
she was a successful dressmaker who had wealthy and famous white clients
Family of Jefferson Davis and Abraham Lincoln
She became close to Mary Todd. Lincoln, who had gotten dresses on credit while her husband was still alive
she couldn't pay her bills anymore as her husband died
through these circumstances Elizabeth Keckley became poorer and poorer
Mary Lincoln was mortified that the book of Keckley would reveal personal information, also about her
Keckley remained poor because Mary Lincoln bought up most of the books so it wouldn't reach a larger public
Elizabeth lost her dressmaker business
in the African American Community she still was a leading figure and respected (activist for Black rights etc.), charity, help, community support, teached at university..
"My Life so full of romance may sound like a dream"
Romance in the 19th century: Life of incredible adventures and extraordinary experiences
reconstruction (period after civil war)
promise of equal rights
African Americans looked back at slavery through eyes that search for the positive elements from the past that would ensure to direct a more positive future
literary romanticism, emphasis on authenticity, foreshadowing of literary realism
manipulative character of slavery
she thinks that she is ok in slavery, does not realize that she deserves to be free.
Positive: she learns self-reliance
Negative: She is punished physically because she is not able to take care of a baby at four years old
At age 18, she has learned that she is not free, the physical burden is extended by the emotional burden of knowing that she is being treated like an object
She begins to fight back later, not accepting anymore that she can be physically punished, she begins to gain pride
She wins over Mr. Bingham, one of her punishers, by making him feel so sorry for her that he says: It would be a sin to punish her any longer and he stopped punishing slaves physically from this day onward.
she managed to buy her own freedom, she had a document then, but it also documents the perversion of slavery that a human being needs a document to prove that she/he is free.
Slave narratives
Further Beginnings of African American Fiction
Frances E.W.Harper (1825-1911)
William Wells Brown (1814-1884)
Hannah Crafts
Harriet E.Wilson (1859/1982)
Martin R. Delany
Frank J. Webbs
Reconstruction
Charlotte Forten Grimké
Booker T. Washington
Select voices and Writers: Reconstruction - 1920s
Charles W. Chesnutt (1856-1915)
Alice Moore Dunbar Nelson (1875-1935)
Pauline E. Hopkins (1859-1930)
Anna Julia Cooper (c. 1858-1964)
Charlotte Forten Grimké (1837-1914)
Booker T. Washington (1856-1915)