ROMANTIC POETS
Anticipated by
PRE-ROMANTICISM
(1760-1801)
EXPONENTS
Thomas Gray
(1716-1771)
William Blake
(1757-1827)
Elegy Written in a Country Churchyard (1751)
Reflection on death and mortality
Songs of Innocence and of Experience (1794)
Cotrast between purity and evil
The elements that made Romanticism a rivolutionary phenomenon:
Subjectivity:
In contrast with Neoclassicists.
The romantic Intellectuals preferred to follow their inner self.
Nature:
Romantic intellectuals and artists idealised the role of nature as a benign and consoling entity
Beauty:
Imagination:
Romantic artists gave importance to new ideas of beauty, such as the exotic, the irregular, the wild, the supernatural and the strange.
Romantic artists declared that reality is much more than what we can experience with our senses.
Art:
Art according to the Romantic artists, was the expression of the supreme creative power of the artist.
GENERAL FEATURES
Exaltation of nature
Distrust in progress and industrial development
Use of imagination
Rejection of Neoclassicism
Accent on spontaneous feelings
Interest in the world of the self
A NEW SENSITIVITY TOWARDS NATURE
In pre-Romantic poetry, Nature is often depicted both as the right place for man and as the primordial force that can contrast the dehumanising effects of the Industrial Revolution.
First Generation of Romantic poets
Second Generation of Romantic poets
Lake Poets
Coleridge
Wordsworth
Shelley
Keats
Nature:
primary source of poetic inspiration.
divine healing force that permeates the universe.
- He is interested in uncovering 'the supernatural’, ‘the sublime’ and ‘the fantastic' in Nature.
- He exalts Nature as a majestic unifying force: THE SPIRIT OF BEAUTY and inspire humans to act heroically for a better world.
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- He interpreted Nature in Neo-Platonic terms as the visible translation of hidden spiritual truths that stand at the core of what is real.
- benign entity.
- Uncontrolled and distruptive force that can destroy indiscriminately and is often indifferent to human requests.