Poetry anthology
inter-personal conflict
prejudice
Catrin - Gillian Clarke
Cousin Kate - Christina Rossetti
A poison tree - William Blake
conflict
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quotes
conflict
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conflict
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spiritual visionary
romantic poet
artist
believed childhood is pure and innocent
18th century
between friend and foe
"And I water'd it in fears // Night and morning with my tears"
"I was angry with my friend ; //I told my wrath, my wrath did end"
"And it grew both day and night // Till it bore an apple bright"
apples are a common fruit and anger and resentment are common feeling
apple is an allusion to the biblical story of Adam & Eve
The speaker is likened to the serpent tempting his enemy
apple is symbolic of growing & ripening anger
He deliberately cultivates the growing of the tree (anger) with tears and frustration whilst refusing to communicate hid feelings
The speaker accidentally helps anger and resentment grow
The speaker intentionally helps his anger & resentment grow
His tears are the ones of sorrow because of his worries about his relationship with his enemy
Half-caste - John Agard
The Class Game - Mary Casey
No problem - Benjam Zephaniah
conflict
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20-21th century
own personal experience w/ racism
born in Guyana 1949 (Guianese dad, Portugese mum)
often targets subjects of derogatory language in poetry
racist labels that people use for those who are mixed race. Rebellion of language from non-standard English (Caribbean creole dialect & heritage)
conflict
context
quotes
writes about own experience of racism in 20th century
uses Caribbean dialect & non-standard English
rejected and OBE (anti-empire)
linguistic rebellion through assertion of the legitamacy of his cultural & linguistic heritage
from birmingham
dub poet
harmful effects of stereotypes on poc. Linguistic rebellion from use of non-standard English against prejudices white culture has placed on him
but also if feelings aren't communicated friendships could come to an end
friendship is necessary for anger to finally subside
The rhyme between "friend" and "end" is not only referring to the fact that perhaps it's easier for anger to end when it comes to friends
20th century
autobiographical
Welsh
giving birth
internal for mother having to let her child go, whilst protecting her
between mother & daughter
"Words, coloured the clean squares // With the wild, tender circles"
"With your straight, strong long // Brown hair and your rosy, // Defiant glare
"Red rope of love"
adjective red is the foreground of the enjambment
red has lots of contrasting connotations: love, hate, anger, passion, thus reflecting the nature of a mother daughter relationship
alliterative extended metaphor
alluding to the umbilical cord
The synesthesia blends and blurs the sense in the metaphor
also a contrast in the box-like room to the softness of the circles
The voice's cries through labour juxtapose with the cold clinical environment of the hospital
list of adjectives with assonance to reveal her combined frustration with admiration of her daughter
references how the now teenage Catrin is becoming increasingly powerful & strong-willed as well as aware of what she wants and how to get it
shift in time frame
patriarchy
conservatively religious & moralistic
volunteered at a women's shelter for fallen women (sex before marriage
women had to be submissive but also satisfy men
19th century (victorian)
form
extended metaphor
rhyming couplets
iambic tetrameter
quatrains
form
didactic tone
monosyllables at end
lots of enjambment & caesura
in free verse
form
dramatic monologue (ballad)
octaves
bitter tone
iambic meter contrasts dark theme
between the speaker and her cousin Kate, who have both been involved romantically & sexually with a Lord
"shameless shameful life"
"I would have spit into his face // And not have taken his hand"
"you had the stronger wing"
oxymoron contrasts the antithetical, sibilant adjectives
It also implies a differing opinion on the speaker's view on the relationship with the Lord (shameless) compared with societies view (shameful)
oxymoronic language mirrors how she is confused and conflicted she is / was about the situation
this really emphasises her jealous emotions towards her cousin
throughout the poem she is refereed to as wolf-like animals "I sit and howl" but this line contrasts her now outcast status in society
the use of avian imagery at this point to suggests that her cousin was able to "fly" higher socially because of her marriage
It also demonstrates how powerless she feels in this situation
the speaker clearly regrets that she allowed herself to love and care for the lord and go into his bed
The speaker wants Kate to know that the only difference between them is that the Lord fell for the speaker first then Kate
violent visceral verb "spit" & the decisive placement of the line at the end of the stanza shows the speaker's moral judgement on the betrayal of her cousin
form
form
conflict
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form
confrontational / accusatory tone
shows pride in linguistic heritage
first person
free verse
monologue
published 1979 (20th century)
"Voices" published working class writers
contributor to a poetry magazine "Voices"
her first hand experience with prejudice
housewife from Liverpool
class conflict - prejudice & discrimination
"soft lilly-white with perfume and oil" , "bog"
"Why do you care what class I'm from?"
" 'Olly in me mouth" & "corpy"
helps highlight her point that lower classes are seen as less intelligent
informal term for the council housing shows her Liverpudlian roots
use of colloquial, informal language
positive auditory & tactile imagery vs humorous, coarse descriptions of the harsh realities
shows the expectation that middle / upper class women should be clean & smell fresh and not be involved in "dirty work"
juxtaposition
By referring to herself by her class at the end of the poem she is showing an act of reclaiming her title
The exclamatory emphasis the defiant tone the speaker has maintained throughout the rest of the poem
blatant in her frustration and anger that she is repeatedly labelled as a result of her class
ABCB rhyme scheme
two stanzas for a sense of divide
angry, defiant, accusatory tone
shift in tone from the first to the second stanza. From communicating positivity to pondering the effects of racial abuse
DUB poem (written as spoken)
first stanza is three lines to emphatically introduce the poem
creole language
the middle stanzas are significantly longer showing a passive stream of consciousness from Agard
"Now I am branded athletic" "academic" "pigeon hole"
"Sum of me best friends are white"
"I (Black is) am not de problem"
"half" // "whole"
"an mix a black key wid a white key" // "half caste symphony"
"Explain yuself"
imperative sentence
Guyanese / non-standard English dialect of the pronoun "yuself" serves to demand the listener accounts for their racist attitudes towards the mixed race speaker
Begins with an insincere apology, establishing a sarcastic tone
this combines to create an accusatory & confrontational yet humorous tone
the repetition of "whole" towards the end of the poem contrasts with "half"
repetition of the adverb half forces the reader to confront the absurdity of the notion mixed race people are only half
contrasting, like a lot of things throughout the poem
Auditory imagery "half caste symphony" depicts the speaker's identity in a beautiful way, highlighting the incorrectness of the previously used dissonant terms
sensory imagery clearly depicts the two-sided nature of the beautiful things in society
This serves to conclude that the speaker is no less a person than the listener
refrain throughout the poem
the speaker won't make excuses for his racial identity and those who discriminate against it
A climactic shift in tone at the end of the poem to "Black is not de problem", explaining how being black isn't an issue (contrary to media portrayals). showing that he can rise above the discrimination he faced
a refrain repeated several times throughout the first stanza to reaffirm that racists are the problem not those subjected to it
and on the flip side less intelligent and more prone to criminality
The speaker argues he has been "pigeon holed" according to these stereotypes and that his true potential has been overlooked
discusses how he is labelled athletic by his teachers, conforming to racist stereotypes that black people are naturally muscial, rhythmic and athletic
the aggressive verb "branded" links back to the times of slavery where black people would be physically branded as property
The fact that Zephania is able to end the poem on such a tone after referencing some dark and heavy experiences shows his resilience
The speaker is taking the upper hand over those he is addressing and showing how any racial divide is not his fault
Ends on a humorous, sarcastic tone, playing on the problimatic statement that "I can't be racist - I have black friends"