Poetry anthology

inter-personal conflict

prejudice

Catrin - Gillian Clarke

Cousin Kate - Christina Rossetti

A poison tree - William Blake

conflict

context

quotes

conflict

context

quotes

conflict

context

quotes

spiritual visionary

romantic poet

artist

believed childhood is pure and innocent

18th century

between friend and foe

"And I water'd it in fears // Night and morning with my tears"

"I was angry with my friend ; //I told my wrath, my wrath did end"

"And it grew both day and night // Till it bore an apple bright"

apples are a common fruit and anger and resentment are common feeling

apple is an allusion to the biblical story of Adam & Eve

The speaker is likened to the serpent tempting his enemy

apple is symbolic of growing & ripening anger

He deliberately cultivates the growing of the tree (anger) with tears and frustration whilst refusing to communicate hid feelings

The speaker accidentally helps anger and resentment grow

The speaker intentionally helps his anger & resentment grow

His tears are the ones of sorrow because of his worries about his relationship with his enemy

Half-caste - John Agard

The Class Game - Mary Casey

No problem - Benjam Zephaniah

conflict

context

quotes

20-21th century

own personal experience w/ racism

born in Guyana 1949 (Guianese dad, Portugese mum)

often targets subjects of derogatory language in poetry

racist labels that people use for those who are mixed race. Rebellion of language from non-standard English (Caribbean creole dialect & heritage)

conflict

context

quotes

writes about own experience of racism in 20th century

uses Caribbean dialect & non-standard English

rejected and OBE (anti-empire)

linguistic rebellion through assertion of the legitamacy of his cultural & linguistic heritage

from birmingham

dub poet

harmful effects of stereotypes on poc. Linguistic rebellion from use of non-standard English against prejudices white culture has placed on him

but also if feelings aren't communicated friendships could come to an end

friendship is necessary for anger to finally subside

The rhyme between "friend" and "end" is not only referring to the fact that perhaps it's easier for anger to end when it comes to friends

20th century

autobiographical

Welsh

giving birth

internal for mother having to let her child go, whilst protecting her

between mother & daughter

"Words, coloured the clean squares // With the wild, tender circles"

"With your straight, strong long // Brown hair and your rosy, // Defiant glare

"Red rope of love"

adjective red is the foreground of the enjambment

red has lots of contrasting connotations: love, hate, anger, passion, thus reflecting the nature of a mother daughter relationship

alliterative extended metaphor

alluding to the umbilical cord

The synesthesia blends and blurs the sense in the metaphor

also a contrast in the box-like room to the softness of the circles

The voice's cries through labour juxtapose with the cold clinical environment of the hospital

list of adjectives with assonance to reveal her combined frustration with admiration of her daughter

references how the now teenage Catrin is becoming increasingly powerful & strong-willed as well as aware of what she wants and how to get it

shift in time frame

patriarchy

conservatively religious & moralistic

volunteered at a women's shelter for fallen women (sex before marriage

women had to be submissive but also satisfy men

19th century (victorian)

form

extended metaphor

rhyming couplets

iambic tetrameter

quatrains

form

didactic tone

monosyllables at end

lots of enjambment & caesura

in free verse

form

dramatic monologue (ballad)

octaves

bitter tone

iambic meter contrasts dark theme

between the speaker and her cousin Kate, who have both been involved romantically & sexually with a Lord

"shameless shameful life"

"I would have spit into his face // And not have taken his hand"

"you had the stronger wing"

oxymoron contrasts the antithetical, sibilant adjectives

It also implies a differing opinion on the speaker's view on the relationship with the Lord (shameless) compared with societies view (shameful)

oxymoronic language mirrors how she is confused and conflicted she is / was about the situation

this really emphasises her jealous emotions towards her cousin

throughout the poem she is refereed to as wolf-like animals "I sit and howl" but this line contrasts her now outcast status in society

the use of avian imagery at this point to suggests that her cousin was able to "fly" higher socially because of her marriage

It also demonstrates how powerless she feels in this situation

the speaker clearly regrets that she allowed herself to love and care for the lord and go into his bed

The speaker wants Kate to know that the only difference between them is that the Lord fell for the speaker first then Kate

violent visceral verb "spit" & the decisive placement of the line at the end of the stanza shows the speaker's moral judgement on the betrayal of her cousin

form

form

conflict

context

quotes

form

confrontational / accusatory tone

shows pride in linguistic heritage

first person

free verse

monologue

published 1979 (20th century)

"Voices" published working class writers

contributor to a poetry magazine "Voices"

her first hand experience with prejudice

housewife from Liverpool

class conflict - prejudice & discrimination

"soft lilly-white with perfume and oil" , "bog"

"Why do you care what class I'm from?"

" 'Olly in me mouth" & "corpy"

helps highlight her point that lower classes are seen as less intelligent

informal term for the council housing shows her Liverpudlian roots

use of colloquial, informal language

positive auditory & tactile imagery vs humorous, coarse descriptions of the harsh realities

shows the expectation that middle / upper class women should be clean & smell fresh and not be involved in "dirty work"

juxtaposition

By referring to herself by her class at the end of the poem she is showing an act of reclaiming her title

The exclamatory emphasis the defiant tone the speaker has maintained throughout the rest of the poem

blatant in her frustration and anger that she is repeatedly labelled as a result of her class

ABCB rhyme scheme

two stanzas for a sense of divide

angry, defiant, accusatory tone

shift in tone from the first to the second stanza. From communicating positivity to pondering the effects of racial abuse

DUB poem (written as spoken)

first stanza is three lines to emphatically introduce the poem

creole language

the middle stanzas are significantly longer showing a passive stream of consciousness from Agard

"Now I am branded athletic" "academic" "pigeon hole"

"Sum of me best friends are white"

"I (Black is) am not de problem"

"half" // "whole"

"an mix a black key wid a white key" // "half caste symphony"

"Explain yuself"

imperative sentence

Guyanese / non-standard English dialect of the pronoun "yuself" serves to demand the listener accounts for their racist attitudes towards the mixed race speaker

Begins with an insincere apology, establishing a sarcastic tone

this combines to create an accusatory & confrontational yet humorous tone

the repetition of "whole" towards the end of the poem contrasts with "half"

repetition of the adverb half forces the reader to confront the absurdity of the notion mixed race people are only half

contrasting, like a lot of things throughout the poem

Auditory imagery "half caste symphony" depicts the speaker's identity in a beautiful way, highlighting the incorrectness of the previously used dissonant terms

sensory imagery clearly depicts the two-sided nature of the beautiful things in society

This serves to conclude that the speaker is no less a person than the listener

refrain throughout the poem

the speaker won't make excuses for his racial identity and those who discriminate against it

A climactic shift in tone at the end of the poem to "Black is not de problem", explaining how being black isn't an issue (contrary to media portrayals). showing that he can rise above the discrimination he faced

a refrain repeated several times throughout the first stanza to reaffirm that racists are the problem not those subjected to it

and on the flip side less intelligent and more prone to criminality

The speaker argues he has been "pigeon holed" according to these stereotypes and that his true potential has been overlooked

discusses how he is labelled athletic by his teachers, conforming to racist stereotypes that black people are naturally muscial, rhythmic and athletic

the aggressive verb "branded" links back to the times of slavery where black people would be physically branded as property

The fact that Zephania is able to end the poem on such a tone after referencing some dark and heavy experiences shows his resilience

The speaker is taking the upper hand over those he is addressing and showing how any racial divide is not his fault

Ends on a humorous, sarcastic tone, playing on the problimatic statement that "I can't be racist - I have black friends"