It is the same oblique naming strategy that prevails here, like in every other repertoire: the ritual term dedicated to the invoked entity “little Agouti of the earth” ayekurihi is different from its name in the everyday Warao language: kahamuru in the Winikina language or kuhuamare in the Wayo language for the species Dasyproctaaguti (Dale Olsen, “Magical Protection Songs of the Warao Indians,” Latin American Music Review, vol. 1, no. 2, 1980, p. 136). The ethnomusicologist collected over twenty songs dedicated to various hebu animal spirits (iguana, tortoise, anaconda, tapir, jaguar, young stag, opossum, ant-eater, etc.), with a strictly analogous composition at the grammatical and narrative levels: description of the place, movement, name, and expulsion of the entities.