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MUSIC TECHNOLOGY - COMPONENT 3, MUSIC TECHNOLOGY - SYNTHESISERS, MUSIC…

- - - - Single microphone, Single take recordings
        
        Carbon Mic
        
        Ribbon Mic
      - Poor Signal to Noise Ratio
        
        Necessary high gain
      - Limited frequency Response
        
        Poor Low and High End (Cymbals & Upright Bass)
    - - Vinyl Disk
        
        Disk crackle
        
        Analogue Saturation/Distortion
      - Analogue Tape
        
        Flutter/Wow
        
        Analogue Saturation/Distortion
  - - - Bebop
      - Jazz
      - Blues
      - Rock n Roll
      - Country
    - - Acoustic Guitar
      - Drums (Poor High End Capture)
      - Upright Bass (Poor Low End Capture)
      - Vocals
      - Hollow-Body Guitar
      - Brass
  - - - Echo Chamber
      - Specficaly choose ambient recording space
    - - No Post Production Processing
- - - - Condenser Microphone
        
        Wide Frequency Response
        
        Sensitive to Sound Pressure Levels
        
        Usually Flat Frequency Response
      - Dynamic Microphone
        
        Not Sensitive to SPL
        
        Often boost to high ends and low end roll off
    - - Analogue Tape
      - Multi (4) track recording
        
        Overdubbing
  - - - Folk
      - Jazz
      - Soul
      - (Early) Prog/Psych Rock
    - - New Electric Guitar (Les Paul + Stratocaster)
      - Drums
      - Bass Guitar
- - - - Increased clarity and quality in parts
    - - 24 Track Analogue Tape Machine
  - - - Funk
      - Disco
      - Punk
      - Reggae
      - New Wave
      - Dub
      - Synth Pop
    - - Synthesisers
        
        Used to replicate previously acoustic instruments
        
        LF + FM Synthesis
      - Drum Machines