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31 TEXT & CONTEXT. TEXT TYPOLOGY: CRITERIA FOR THE CLASSIFICATION OF…
31 TEXT & CONTEXT. TEXT TYPOLOGY: CRITERIA FOR THE CLASSIFICATION OF TEXT TYPES. REGISTER
1. TEXT & CONTEXT
1.1. TEXT
Context
Product & Process
Product
Process
Unity
of Structure
Global structure
of Texture
Meaning relations: semantic (coherence) & lexico-grammatical patterns (coherence)
Semantic unit
Cohesion
Texture
within the Sentece
Theme systems
Theme
(the starting point of a message)
Rheme
(the rest of the message in a clause)
Information systems
Given
elements (old information)
New
elements (new informartion)
Intonation patterns in Speech
Punctuation in Writing
of Discourse
Textuality
CONSTITUTIVE PRINCIPLES: Text/User-centred
Informativity
The extent to which the events of the text are
expected-unexpected
, known-unknown (content & function words)
Situationality
Relevant to a situation of occurrence/
context of situation
Acceptability
The receiver's attitude
. Having some
use/relevance
for the listener
Intentionality
The producer's attitude
. Instrumental in fulfilling the speaker's
intentions/purpose
Grice' Cooperative Principle/ Conversational Maxims
Quantity
Be informative
Quality
Be truthful
Relation
Be relevant
Manner
Be brief & clear
Coherence
The components of the
textual world
, which underlie the surface text, are mutually accessible and relevant
Intertextuality
The factors which make
the use of one text dependent upon the knowledge of previously encountered texts
Cohesion
The components of the
surface text
(the words we hear or see) are mutually connected within a sequence
REGULATIVE PRINCIPLES
Effectiveness
Has a good potential for
fulfilling an aim
Appropiateness
Suits the communicative situation
where it is used
Efficiency
Useful to the participants
with a minimum effort
1.2. CONTEXT
Context of Situation
: extralinguistic factors
Field
"What is happening": the nature of the social action
Tenor
"Who is taking part": the nature of the participants
Mode
"What part the language is playing": the function
Context of Culture
The broader background against which the text has to be interpreted
Linguistics, Text linguistics, Language, a Sentence/Text, Pragmatics & Semantics
Sentence
Grammatical/linguistic unit
Text
Semantic & pragmatic unit
2. TEXT TYPOLOGY: CRITERIA FOR CLASSIFICATION
2.2. TEXT TYPOLOGY
ARGUMENTATION
Definition & Purpose
To persuade & convince the audience
of the value of the arguments presented
Role
Secondary
: mixed up with other discourse types,
rarely appear on their own
but it is always present at all levels
Genres/Instances
Discussion, Interview, Speech, Essay, Opinion letter, Letter or Book on literary criticism
EXPOSITION
Definition
Explanation & analysis
of a subject/issue
in a clear, detailed, organised way
for the reader to understand & have relevant information
Emphasis on
Form & Organisation
through a point-by-point discussion of a complex matter
Vocabulary
neutral, objective & analytical
Role
Seconday
:
mixed-up with other discourse types
, but present at all levels (literary or not, fiction or non-fiction)
Instances
Essays, Scientific Treatises, Text books, Newspaper articles, Political Speeches & Lectures
DESCRIPTION
Definition & Purpose
Representation
of people, animals, objects, atmospheres in order to describe/present their attributes &
to create a mental image in the reader’s mind
Related to
Narrative: focus on actions/events
structured in terms of space rather than time
Role
Secondary
: they do not have the illocutionary force of showing what the speaker’s speech act is intended to achieve
Genres
same as Narrative
INSTRUCTION
Definition & Purpose
To tell their reader what to do in a clearly specified situation
, assuming the reader knows what he wants to do, but needs to be told "how to do it"
Vocabulary
objective & unemotional
Found in
Cookery-book, User’s manual
NARRATION
Instances
Novels, Short stories, Poetry, Plays, Drama, News stories, Biographies, Reports
Genres
Folktales
(Wonder/Tall/Realistic tales, Fables, Legends, Myths),
Science/Contemporary/Historical fiction; Mysteries, Fantasy
Features
1)
Elements
(characters, setting, plot, conflict, theme)
2)
Inherent chronological order
, 3)
Narrator's point of view
Organized
around
Characters & Plot
using
story grammar
(Beginning/Middle/End)
Based on
Life-experiences, person-oriented
by using dialogue & familiar language
Definition & Purpose
Action, events in time & life in motion in order
to tell a story, to entertain or to provide an aesthetic literary experience
2.1. CRITERIA
Purpose
Communicative functions as rhetorical strategies
Express an attitude
Inform
Persuade
Create a debate
Type/Mode
Modes of discourse realised through text types
Descriptive
Expository
Instrumental
Narrative
Argumentative
Intertextuality
3. REGISTER
Register
Field
: "
What
is happening": the nature of the social action,
the topic
/subject matter
Tenor
: "
Who
is taking part": the nature of the
participants, their relationships & roles
Mode
: "What part (
how
) the language is playing": the function, the
medium/channel
of communication
The specific features of the
topic
of discourse:
legal, scientific, advertising (matimony/marriage)
The
relations
btw the speakers according to the situation, degree of familiarity, their social position (sir/pal)
The manner of transmission of a message, the
channel
: written, spoken (ASAP/as soon as possible)
Contextual features: A variety of language
according to the Context of situation
in which a conversation is taking place
Dialect
Groups of speakers sharing
features of a geographical, temporal or social nature
(they can be combined)
Geographical variants
: shop/store, lift/elevator, biscuit/cookie
Age groups
: specially younger groups, really careful not to use out-dated terminology: dope/cool, flex/show off, vibe/mood or atmosphere, chill/relax, YOLO, FOMO...
Social groups
: ain't/not to be, gonna/going to, reckon/think
A variety of language
according to the user's identity
, depending on your Geographical, Social, or Age group
Types
Free/Open-ended
The range of the discourse is much less constrained: informal narrative & spontaneous conversation
Closed/Limited
No scope for individuality/creativity: the range of possible meanings is fixed
More open (in-between)
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