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Form & Medium - Presentation - Coggle Diagram

- - - - French music at end
      - "Background noise" is foregrounded - and vice versa
- - - - capacity of film to manipulate Time and Space (35)
        
        ballet
        
        african desperate
        
        sci-fi?
      - form as ritual
      - 'an organization of ideas in an anagramatic complex instead of in the linear logic to which we are accustomed'
    - - 'The capacity of the camera to represent a given reality in its own terms'
      - 'the reality passes directly through the lens of the camera'
      - 'imaginative reality'
      - 'human vision played a creative role in simplifying and idealizing reality''
      - camera's intention in line with its imagined perspective
      - has same limitations as written records - assumption of truth and objectivity
      - 'a world of art is primarily concerned with the effective creation of an idea' --> 'motivated point of view'
      - the camera's presence affects the way someone behaves
      - "illusion of reality" (Hammind)
        
        'does [creativity] begin, as Mr. Hammid last implies, on a level different entirely, where the elements are recombined, not in an imitation of their original and natural integrity, but into a new whole to thus create a new reality'?
    - - 'the aesthetic problem of form is...simultaneously a moral problem'
      - 'the form of a work of art is the physical manifestation of its moral structure'
      - 'naturalism is presevred only if the pieces of film are conscienctiously recombined into the relationship of the reality itself'
      - elements - space, time, sound, colour senses?
      - Hollywood films to other arts (drama, lit) as docs are to social reality
        
        but film proper is when filmic reality depends on recombination of film-elements
      - 'the emotional impact derives not from what we see but from the verbalcomplex which the image represents' (signifiers)
      - the ayduence must also 'develop a receptive attitude designed specifically for film and free of the critical criteria which have been evolved for all the older art forms'
    - - talks about audience members as 'sleepers' --> 'the selected dream without responsibilities'
      - film imagining reality > reproducing it
      - 'the history of art is the history of man and of his universe and of the moral relationship between them'