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Ch. 17 The Italian Renaissance - Coggle Diagram
Ch. 17 The Italian Renaissance
Michelangelo Buonarroti in service of Julius II
background
preferred sculpture to painting
b/c of this his paintings appear like sculptures
most of his greatest works he didn't want to do
Works
Pietà ca. 1498-1500 St. Peter’s Vatican City, Rome
David from Piazza Della Signoria, Florence, Italy 1501-1504
Moses from the tomb of Pope Julius II Rome, Italy ca. 1513-1515
Bound Slave from the tomb of Pope Julius II Rome, Italy ca. 1513-1516
Tomb of Giuliano de’ Medici, Medici chapel, Florence, Italy 1519-1534
The ceiling of the Sistine chapel, Sistine chapel, Vatican City, Rome, Italy 1508-1512
Creation of Adam
Unfinished Pieta ca. 1547-1555, museo dell'opera del duomo, florence
Leonardo Da Vinci
background
primarily saw himself as a scientist
a true renaissance man
preferred painting to sculpture
scientist, architect, geologist, botonist, cartographer, zoologist, anatomy
claimed science helped him to become such a good artist
greatest works created in Milan
never visited greece, only saw roman copies
used a famous Sfumato (misty haziness) by using his atmopheric affect
completed very few paintings
Works
Madonna of the Rocks 1483-1490 Musee du Louvre, Paris
Cartoon for Madonna and Child with Saint Anne and the Infant Saint John ca. 1505-1507. Charcoal. National Gallery, London
Scientific Sketches
Vitruvian Man ca. 1485-1490
The Fetus and Lining of the Uterus ca. 1511-1513. Royal Library, Windsor Castle
:
his cutaway views contributed to modern anatomy
Central-plan church ca. 1487-1490
first time people could really sketch, before materials were too expensive
Last Supper ca. 1495-1498. Refectory, Santa Maria delle Grazie, Milan
Mona Lisa ca. 1503-1505. Musee du Louvre, Paris
Raphael or Raffaello Santi (sanzio)
background
learned to paint from his father
trained new people, making his influence last longer
Influenced by Da Vinci's new style b/c of it's popularity
preferred clarity to obscurity
works
Marriage of the Virgin, 1504. Pinacoteca di Brera, Milan
Madonna in the meadow, 1505-1506 Kunsthistorisches Museum, Vienna
used chiaroscuro
Philosophy (School of Athens), Stanza della Segnatura, Vatican City 1509-1511
four branches of human knowledge and wisdom symbolized: theology, Law (justice), Poetry, and Philosophy
Pope Leo X with cardinals de’ Medici and Luigi de’ Rossi Florence, Italy. ca. 1517
Galatea Sala di Galatea rome, Italy ca. 1513
Andrea del Sarto
Madonna of the Harpies, 1517
deeply influenced by da vinci and raphael
Characteristics of Movement
Focus on sculpture like anatomy
Roman architecture
Perfect compositions for ex. Triangles
Focus on illusion
Romanesque clothing
The Counter reformation
because of corruption in the catholic church, there was a reformation
the catholic church was based in nepotism, and greed to these difectors
The protestant religion was born
it had a focus on individual faith over church organization and doctrines.
calvinism and lutherinism were the new sects
the catholic church began a campaign to help retain members, called the counter reformation
led by Paul iii
The Council of Trent was central to this
much of the papal sponsored art during this period was counter reformation based
