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TRAGEDY combo-tragedy-comedy-masks, RENAISSANCE, CLASSICAL - Coggle Diagram
TRAGEDY
SHAKESPEARE
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MAIN ASPECTS
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The instabilities, ambiguities and contradictions of human nature and history are coextensive with those of nature
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ARISTOTLE
capacity to excite
FEAR
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denotes an attitude to the protagonist of dissociation and
judgement and acknowledges the rightness of what has happened
PITY
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to draw us sympathetically to the protagonist, regretting his or her suffering as unjust or disproportionate
SENECA
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CHARACTERS
INORDINATEPASSIONS
rage, lust, and sexual jealousy
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OTHER VIEWS
HEGEL
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NIETZSCHE
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BRADLEY
Conflict within the hero, who is divided against himself
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RENAISSANCE
MAIN ASPECTS
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A rebirth of literature and art, inspired by the rediscovery of classical manuscripts from the past.
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CLASSICAL
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Similarities
- Courageous and noble characters who must confront powerful obstacles, external or from within.
- A heartbreaking ending that often leads to a catharsis for the audience.
- Both tragedies show the fall of the noblemen. (Many men in tragedies have extreme wealth and power, what makes their downfall more tragic)