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Video Production (Pre-production (Elements (The Call sheet (Crew all the…

- - - - Make the atmosphere that show you the feeling in the senes.
    - - Crew all the information
      - Back-up plan
    - - To communicate a deeper meaning of a picture.
    - - Externalizing the internal state of a character
- - - - Fast-paced whip pan, quickly turn to see something. Slow pan is to give us time to take in the landscape.
    - - Often reveal something to us, suddenly redirecting our attention.
    - - A funny kind of punctuation because of its sudden nature.
    - - A smooth movement often on a track which moves the camera through a space, creating a different type of visual experience than the zoom or pan.
    - - Moves the camera up and down.
    - - Stabilized on the camera operator, it gracefully glides within a space.
        
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  - - - What's your camera sees and by extension what your audience sees
    - - The basic principle that things look really good when you put points of interest on the thirds of your frame.
- - - - Normally from one shot to another.
    - - Cutting from one shot to another while the character still have movement
    - - cutting to an insert shot of something, and then back
    - - Cuts back and forth between locations
    - - Cuts back and forth between locations
    - - A match cut cuts from one shot to a similar shot, by either matching the action or the composition.
    - - when the camera is pointed on the floor, and is hidden by a whip pan, a movement of the camera which is so fast that it blurs the picture into indistinct streaks.
  - - - It's just dissolving either to, or from, black.
    - - It's when you blend one shot into another.
    - - Smash cuts are abrupt transitions.
    - - a wipe is a wipe
    - - It is an audio-based transition. This is when the audio from the current shot carries over to the next shot.
    - - It is when the audio from the next scene starts BEFORE you get to it.
    - - relates to film and video is a result of shutter angle or shutter speed.