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SHORT FILM (STYLE (SOUND (NON-DIEGETIC (THINGS THAT THE CHARACTERS CANT…

- - - - CAMERA ANGLES, SHOT SIZE, MOVEMENT, AND TECHNOLOGIES ALL ASSIST IN DEPICTING MEANING
  - - - COLOURS, COSTUMES, COMPOSITION OF ACTORS, ETC. ALL ASSIST THIS REPRESENTATION
  - - - USUALLY CONTINUITY EDITING AS IT DEPICTS A STEREOTYPICAL FEATURE FILM
        
        ENABLES FOR DIALOGUE AND RELATIONSHIPS BETWEEN CHARACTERS TO BE CLEAR
  - - - THINGS THAT THE CHARACTERS CANT HEAR IN THE SCENE
        
        SOUNDTRACK, VOICE OVER, SOUND EFFECTS
    - - EVERYTHING THE CHARACTERS HEAR IN THE NARRATIVE
        
        DIALOGUE, BACKGROUND NOISE, ETC.
- - - - RELATES TO THE MAIN CHARACTER
      - USUALLY NO SUPPORTING STORYLINE AS TEMPORAL DURATION IS SHORT
  - - - FLASH BACKS AND FLASH FORWARDS CAN ASSIST THIS (TEMPORAL ORDER)
- - - - CREATED SPECIFICALLY THROUGH STORY ARCS, CHARACTER, AND ACTING
        
        STORY ARCS ENABLE THE NARRATIVE TO BE EPISODIC AND MAKE THE AUDIENCE LAUGNH AT THE SKITS, CHARACTERS AND ACTING PROMOTE THIS
  - - - CREATED SPECIFICALLY THROUGH CAUSE AND EFFECT AND ACTING
        
        STORYLINE PROMOTES EMOTION AUDIENCE RESPONSE WHILST ACTING ENABLES THE AUDIENCE TO UNDERSTAND THE MAIN CHARACTERS EMOTIONS
  - - - CREATED SPECIFICALLY THROUGH POINT OF VIEW, EDITING, CAMERA
        
        STORYTELLING PERSPECTIVE (NARRATOR USUALLY), HANDHELD CAMERA AND EDITING STYLE OFTEN DEPICTS HOMEMADE FEEL AND MAKES THE DOCUMENTARY SEEM MORE LEGITIMATE
  - - - CREATED THROUGH CODES AND CONVENTIONS, SPECIFICALLY SOUND, LIGHTING, AND STORY ARCS
        
        SUSPENSEFUL SOUNDTRACK, LOWKEY LIGHTING, FRIGHTENING STORY ARCS THAT INCLUDE STEREOTYPICAL HORRIFYING THINGS
- - - - CAN CHANGE ENGAGEMENT DEPENDING ON PLATFORM USED