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16th Century Catholic Church Music (Protestant Reformation led to the…
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Jewish Music
oral not written music. singing worship important at gome and meals. services include singing hymns (piyyutim). Traditional formulas, responsorial with leader and the congregation.
readings from Hebrew Scripture done by a soloist with cantillation. later, te'amim was developed to indicate accents, divisions and melodic patterns in cantillation. Improvise a melody w notation with free use of embellishments
16th century, a specific person was chosen to sing the chants (hazzan or cantor later) was important.
Ashkenazi Jews of Germany and E.Europe influenced by Gregorian chant and Minnelieder. Sephardic Jews of Spain drew from Arab sources
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Orlande de Lassus
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Influential in advocating for emotional expression. text depiction. 57 masses but 700+ motets!! pictorial/dramatic interpretation of text.
Master of Flemish, French, Italian, and German styles. Motets especially influential on German Protestant composers.
Palestrina: 1525-94
clear and elegant style. Lots of masses or madrigals. 63 Pope Marcellus Mass Agnus Dei (syllabic and imitative) vs Credo (homophonic). Used cambiatas a lot. 6 voices with different entrances. syncopation, duple meter.
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