Please enable JavaScript.
Coggle requires JavaScript to display documents.
16th century: Christian Music, Anglican Sound (Service: music for Matins,…
16th century: Christian Music
Anglican Sound
Service: music for Matins, Holy Communion (Mass) and Evensong (Vespers and Compline)
Great Service: adopts contrapuntal and melismatic setting
Short Service: adopts the same text but syllabic and chordal
Anthem: polyphonic work in English by choir near end of Martin/evensong
full anthem: unaccompanied choir in contrapuntal style
Verse Anthem: employs one or more solo voices w organ or viol accompaniment, alternating w full choir doubled by instruments
Early: John Taverner
Mid: Thomas Tallis; catholic but wrote for chapel royal, loyal to/from Henry and Elizabeth
Late and Early 17: William Byrd: dedicated catholic, first English composer to absorb continental imitative techniques and apply them 61. sing joyfully. 1590
Lutheran Sound
Chorale: congregational hymn sung in vernacular. Involves people in worship not just official choir
4 sources: adapt Gregorian chant (58b)
New compositions (58c), existing German devotional songs, and Contrafactum: secular songs given new words
Choral Motet: borrowed tech. from Franco-Flemish. also lied tech. of tune sung in the tenor. 58d by Johann Walter
Cantional Style (late 16th) influenced by Calvin music, tenor tune with block chords. simpler
Calvinist Sound:
believed only biblical texts, psalms should be sung.
Metrical Psalms: metric, rhymed, strophic, in the vernacular (french). newly composed or adapted from chant. Clement Marot and then Beze were key translators. 59a by Bourgeois
Psalters: metrical psalms published in collections
significance: influenced English Psalters, 59b by William Kethe. French model for Thomas Sternhold and John Hopkins. Puritan separatists brought psalm singing to New England in 1620. 1640 first book published in North America was the Bay Psalm Book
Setting: printing
1450: Johann Guternberg perfected the movable type
1470: first used to print music in liturgical books w chant notation
1501: Petrucci adopted a triple impression process for his music books
1520: John Rastell first used a single impression
1528: Pierre Attgingnant first applied a single impression on a LARGE scale
Setting: Protestant Reformation
Lutheran Church: started by Martin Luther officially in 1520. salvation through faith alone, no buying it, religious authority comes from scripture alone. Ger and Scandinavia
Calvinist Church: started by Jean Calvin, salvation is predestined. Gods law from the bible. Song should have weight, not frivolous, diff. from entertainment. No distractions or color/decor in churches. France, Switz, Nether, Scot, Eng
The Anglican Church: Started by Henry VIII to separate from wife, very political origin