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Garry Tonon: Exit the System, Dusc 3: Guillotine Escapes (High Elbow (Late…

- - - - If you are late in throwing your right arm up to block the support arm, you must surrender position to escape submission.
        Roll to your left to concede mount
  - - - Pull right arm backwards and vaults over opponent's left shoulder. This converts high elbow to low elbow guillotine
- - - - Kimura:
        Right arm goes over opponents head. Left hand thumb grips opponents right wrist. Pull head free and attack side kimura.
- - - - Irimi Ashi Entry:
        Place right knee against opponent's far right hip as a wedge. Hand fight to break open opponent's grip. Enter Irimi Ashi and attack outside Heel Hook
      - Side Kimura:
        Clear opponent's legs grip on your legs and hop onto your knees. Frame on opponent's far right hip with your left hand.
        Right arm goes over opponents head. Left hand thumb grips opponents right wrist. Pull head free and attack side kimura.
- - - - Omote Sankaku:
        Grip opponent's neck with your right hand and pull them towards your hips. Left knee wedges against opponent's head. Grip your opponent's left wrist with your right hand. Step over your opponent's neck with your right leg and place right foot down at opponent's neck. Lock omote Sankaku from top or bottom position.
- - - - Opponent holds onto guillotine and gives up top position
      - Attack Outside Heel Hook
- - - - Shoulder Lock:
        Grip opponent's left wrist (of strangle arm) with your right hand. Separate grip and push above your head while extending body.
        
        Back Take:
        If opponent straightens arm to avoid getting broken. Come up onto the back.
        
        Inverted Kata Gatame:
        Wrap left arm around opponent's neck and connect left hand to crease of right elbow. Can finish with legs around opponent's back in bottom guard
        
        Front Kata Gatame:
        Knee Lever sweep on opponent's left knee. Pass to side control and finish front Kata Gatame.
- - - - Shoulder Shimy Forward to free your shoulder
    - - Step right foot on ground and square up to opponent, place left hand on opponent's chest, extract your right arm and square up onto knees.
    - - Place your right knee against your right elbow. This creates distance and makes it difficult for opponent to lock a trap triangle
  - - - Deny Angle:
        Cover opponent's left hip with your right arm and cover your opponent's right hip with your left hip. This keeps them square and prevents them from taking an angle for either omote or hantai sankaku.
    - - Shoulder Turn:
        Quickly turn to the left to allow your head to escape the lock. You give your opponent your arm and put them in a position for omoplata, however this is much less dangerous and easier to escape than a triangle. Better to give opponent just arm instead of head and arm.
        
        Omoplata Escapes
  - - - Posture up, Join your hands together and frame on your opponent's chest. Try to get your knees below your opponent's hips. This helps extend oppoennt's legs and open up closed wedge behind your neck a little. (similar to passing closed guard).
        
        Thumb post right arm against the inside of opponent's right knee. This opens up space between opponent's hamstring and your neck.
        Insert your secondary left hand. Create a frame with your arms and break open opponent's trap triangle.
        
        Right knee comes up. Fall back to Irimi Ashi and Outside Heel Hook
    - - Difficult to posture up at the moment. Either (1) C grip opponent's left arm pit with your right hand. (helps prevent juji) or (2) lock hands together, brace against opponent's chest and shift your right elbow to opponent's left hip.
        (Makes it difficult for opponent to switch to juji)
        Extend arms and drive knees under opponent's hips so you're facing straight on.
        
        Unable to thumb post to separate legs
        
        Stand up onto feet. Then step left foot, then right foot over opponent's chest. Sit down to your butt and join feet together
        
        Opponent Separates your feet
        
        Pummel your feet into instead position on your opponent's biceps. Can also grab opponent's hands with your hands if necessary. Now cross your feet over opponent's chest as before.
        
        Extend your body and shimy your shoulders back to break the lock around your head.
- - - - Don't press into your opponent's leg with your right arm. Rather circle your right hand into the small of your back. Make sure the hand isn't caught by opponent's foot by relaxing arm and turning thumb in so blade of wrist touches back. Now pull arm back to your chest.
        
        Back Mount Escapes
      - Opponent reinforces by crossing feet
        
        Not possible to pummel out with right arm only, and must use secondary defense (left) hand to assist to escape position. Tuck chin and look into opponent to make strangle more difficult. Reach down and separate legs with your two hands.
  - - - Attempt to catch opponent's left calf with your legs. If it's well hidden behind your back, separate your hands and place the back of your right hand behind calf to exposed it. Might need to use a couple small bridges to shake it free. Turn onto your left hip and capture left leg with your legs.
        Extend your opponent's legs and grip the toe knuckle of your opponent's right foot with your right hand.
        Rotate hips to your right and pull to your left with your right hand to separate figure four.
        Push opponent's right leg over your head (prevents cross face leg for juji).
        Alternatively, post on opponent's left knee with right hand and slip your left elbow inside.
        
        Enter Cross Ashi on your opponent's right leg
- - - - Join Hands together, frame and extend or form a knee elbow connection to prevent them from locking a trap triangle.
        If opponent is able to lock a trap triangle, extend frames, then counter attack.
  - - - Post with your hands on the mat and get onto your feet and place your right knee on your opponent's right hip. Make your head and arm very small by looking downwards while pull backwards. Can also thumb post with your free left hand on opponent's thigh to assist.
        
        Enter Cross Ashi
- - - - As you see opponent stepping with left foot through the elbow, unlock your hands and then quickly rejoin then behind opponent's left calf.
        Use your arm frames to push the leg upwards and catch opponent's left calf with your legs in a figure four.
  - - - Turn into your opponent on your left hip to lift their legs off the ground. Do a big backstrok with your trapped right arm and hook your opponent's left shin with your right arm. Figure four your opponent's left leg with your legs. Thumb post on opponent's left leg to open closed wedges and push the leg above your chest.
        Open the figure four of the legs ending up in a t kimura with your left arm trapped.
        Post on opponent's right elbow with your right hand and pull your left elbow in.
        Grab your opponent's left tricep with your left hand and just arm drag motion to pull you onto your knees.
        
        Lock Inverted Kata Gatame (Darce)
- - - - Grab inside opponent's left knee with your left hand. Turn left onto your back falling into an Ushiro Sankaku
- - - - Opponent is in three quarter mount on your right side
        
        Before opponent transitions to full juji, there's a space between opponent's butt on your elbow before they establish the crossface leg. Pull elbow in as opponent falls down on butt, turning onto right side. Frame with left hand on legs and enter irimi ashi on opponent's right leg.
      - Opponent attempts to put your right elbow above your from mounted position.
        
        Bridge towards your right to make opponent base on hands, then retract right elbow. Frame hands on opponent's hips, bump hips up and enter irimi ashi garami.
    - - Turning Escape (Hitch Hiker):
        Push opponent's right leg off your stomach pushing down with your left hand.
        
        Raise your right shoulder upwards and right thumb downwards towards the mat close to your opponent's left hip (away from breaking fulcrum). Relax your right arm as well.
        Scissor your legs and walk in a semi circle to your knees. Grip opponent's right thigh with right hand (switching hips).
        There's omoplata danger if you keep your hand in place.
        
        Enter Cross Ashi, Leg Drag or Back Mount
        
        Opponent is able to prevent the turn
        
        Frame on the opponent's left cross face leg with your left hand and push down over your chest. Turn on right side and get up onto your knees. Connect hands in figure four.
    - - Stack Escape:
        Attempt to secure figure four grip under thigh to protect right arm. Turn your hips to the right and push your opponent's left leg away to put him on his back. Get onto your knees either by scissoring legs or pendulum legs.
        
        Opponent bases with his right arm to stop you from coming up.
        
        Bridge off your feet to knock your opponent onto his left hip, not his base of support close to right hand. Walk up onto your knees.
        
        Keep Pressure on the crossface leg with your left hand. Stack opponent lifting lower back off the ground. Wedge right knee against his tail bone. Pump and pull right elbow free.
        You can also place your left knee on opponent's right hamstring as an additional wedge to wiggle arm free.
        
        Opponent able to knock you onto back and separate arms
      - Turning Escape (Hitch Hiker):
        Push opponent's right leg off your stomach pushing down with your left elbow while keeping hands locked.
    - - Chop downwards with your left elbow to break open opponent's crossed legs. Simultaneously bridge onto your left hip.
      - Shoulder Walk Escape:
        Maintain a figure four grip with hands. Perform a series of small bridges to move opponent's left crossface leg off your face. Pin your opponent's bottom left leg with your head. Walk shoulders and back over opponent's left knee.
        Frame your hands against your opponent's hips and enter irimi ashi on opponent's top right leg.
        
        Irimi Ashi Garami
  - - - Opponent Locks Figure Four Top Lock (Dead Orchard)
        
        Lock hands in figure of four or gable grip. Lean to your left shoulder, push off feet and fall onto to back to separate your opponent's figure of four. Get elbows inside opponent's thighs. Frame and enter irimi ashi.
    - - Opponent pivots to perpendicular angle scooping left leg
        
        Step right foot on ground and square up to opponent and place right knee to the ground.
      - Opponent begins to lock a top lock
        
        Place elbows on opponent hips and shimmy shoulders forward and lean into opponent.
      - Opponent passes your right elbow across the center line
        
        Step right foot on ground and square up to opponent, place left hand on opponent's chest, extract your right arm and square up onto knees.
      - Opponent Opens closed Guard
        
        Place your right knee against your right elbow. This hides your elbow from the breaking fulcrum (hip).
- - - - Turning Escape:
        Push opponent's feet over your head and onto your chest. Lift your right shoulder, point your right thumb down, walk in a semi circle on your left side and come up onto knees.