"All The Feels" Comlit 60AC

THEME 1: Conformity/Inhibition of Societal Norms
(described in the 1st paragraph of each of the works)
Throughout the works we've explored in the course, each work delves into how society and its perception has consequences, whether emotionally, mentally, or physically on an individual.

THEME 2: Role of Identity and Its Interplay with Shame
(described in the 2nd paragraph of each of the works)
Shame is an emotional consequence felt within one itself, and in many of the works we've read over the course, shame is commonly a consequence for individuals facing societal pressures regarding cultural, racial, or sexual identity

Toni Morrison, The Bluest Eye


Theme 1: Pauline through her desire for living a life of materialistic wealth, which is closely associated with that of a white family, conforms to the societal standard of an “ideal servant” (Morrison 127). She enjoys taking care of her white family in comparison to her own children or husband. Although this is her way of escaping her reality, she perpetuates a cycle in which African-Americans continue to enable a cycle of white superiority in societal norms and perception.


Theme 2: Shame, especially internal shame is exemplified through Pecola’s character. In the scene where she goes to the candy store she notices the old man’s stare at her and describes it as a “vacuum.” She states how “it has an edge; somewhere in the bottom lid is the distaste. She has seen in lurking in the eyes of all white people. So. The distaste must be for her, her blackness” (49). The shame and unease she inflicts within herself is due to her image of being black. At a young age she is taught to understand the inherent discomfort she should feel simply because of her color. This theme is exemplified through many characters in the novel.

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Silvan Tomkins, an excerpt from Shame and Its Sisters


Theme 1: “Although it is always possible for the contempt of the other to
arouse shame rather than self-contempt, yet it should be noted that
this is inherently difficult. This is because the contempt of the other
constitutes a total rejection...Insofar as one responds to the
contempt of the other with shame, one has not entirely accepted
the disgust of the other...It is not difficult for one who is treated with
contempt to respond with anger, or with counter-contempt to the
other, or with self-contempt” (Tomkins, 158).The conflicts that one faces, especially regarding race or ethnicity can affect their internal perception of themselves and also how they are affected. Tomkins delves into the emotional consequences of self-contempt or shame that can be driven by societal norms or expectations.


Theme 2: “Shame is felt as an inner torment, a sickness of the soul”(137) Tomkins describes through what shame directly affects an individual on. He coins it as a “sickness” and affects a person’s self work. He describes it as a person “feeling himself naked, defeated, alienated, [and]lacking in dignity or worth”(138). This progression ultimately affects one’s identity.

Maxine Hong Kinston, The Woman Warrior


Theme 1: Kingston tells of how when “we Chinese girls listened to the adults talk-story, we learned that we failed if we grew up to be but wives or slaves” (Kingston 19). This expectation of fulfilling the role of a domesticated female in a Chinese family inhibits many women from reaching their true identity as an individual. By conforming to these standards, the expectations and lack of progression persists. Kingston delves into this throughout the novel where she illuminates the adversities for Asian American females.


Theme 2: Kingston also throughout the novel talks about the inflicted shame that the Asian women in a family has to face. She describes how phrases like “Feeding girls is feeding cowbirds” and “When you raise girls, you’re raising children for strangers” (Kingston 46) are tossed around lightly. Raising women are perceived as tasks and many times they are felt like they need to be ashamed for wanting to build an identity or pursue something besides what is expected of them.

Sigmund Freud, “Mourning and Melancholia”
“Profoundly painful dejection, cessation of interest in the outside world, loss of the capacity to love, inhibition of all activity” (Freud 244) Through this quote, both themes can be explored.


Theme 1: Freud through his essay talks about melancholia and how the
expectations of assimilation and reaching progression can cause one to lose a self of
identity. This describes the struggles that many times immigrants face, especially when
trying to adapt to the American culture.


Theme 2: Freud also explores the emotional effects in perpetuating shame or thoughts of
self-contempt due to the melancholia one faces due to their race. When this shame is felt, he describes how they lose the “capacity to love” and can have a “cessation of interest in the outside world.

David Eng and Shinhee Han, “A Dialogue on Racial Melancholia” excerpt


Theme 1: The “process of assimilation [is described as] suspended, conflicted, and unresolved” (Eng, Han 671). Throughout this piece, the process of assimilation and its effects are described. Assimilation is expected in the American culture because of the societal norms that perpetuate the notion that conformity to American values is important. Eng and Han delve into how this conformity can have detrimental effects on the mental being on immigrants, especially among the Asian community.


Theme 2: “We propose a concept of melancholia as a depathologized structure of everyday group experience for Asian Americans” (Eng, Han 667). Melancholia inflicts a sense of depression but also longingness internally within an individual. This can be resulted to the shame that immigrants may feel about their original identity and by feeling the necessity to conform to a different society’s values, their melancholia is heightened.

Gloria Anzaldua, “How to Tame a Wild Tongue”


“Chicanos and other people of color suffer economically for not acculturing. This voluntary (yet forced) alienation makes for psychological conflict, a kind of dual identity-we don’t identify with the Anglo-American cultural values and we don’t totally idenitfy with the Mexican cultural values. We are a synergy of two cultures with various degrees of Mexicanness or Angloness. I have so internalized the borderland conflict that sometimes I feel like one cancels out the other and we are zero, nothing, no one” (Anzaldua 85)


Theme 1: This quote exemplifies how societal standards may cause Chicanos to face alienation and feel unwelcome. This is due to their perceived lack of conformity to the standards set by society, and in this case, the American society. However, in trying to conform to these standards, Chicanos may lose their sense of identity, which Anzaldua describes as feeling “conflicted” and feeling like the Chicanos are “zero.”


Theme 2: Through the quote, there is also an element that describes the feeling that Chicanos feel when they feel like they do not belong. This sense of lack of belongingness can inflict a sense of shame for feeling like an outsider in two different communities. The “zeroness” described is an internal reflection of not being able to identify with one community or the other.

Junot Díaz, The Brief Wondrous Life of Oscar Wao
Theme 1: “You can never run away. Not ever. The only way out is in” (208-209). This quote illuminates an important message that persists throughout the novel. While Oscar tries to escape a feeling of a lack of self worth he feels for not being able to fit into the mold of Dominican masculinity, Diaz highlights how the culture is part of your identity. It is an inescapable part of Oscar, and his inability to come to terms with it and find himself an identity or way of living with it, ultimately causes his own detriment.


Theme 2: “Soy Dominicana. Dominicano, Soy” (49) This is quoted when Belle describes herself and the inverted structure with the repetition is her way of emphasizing how her identity is largely rooted with her being Dominican. Throughout the novel, through Oscar’s perspective, his inability to conform to all Domincan values, especially of Dominican masculinity, causes him to feel like he needs to feel shame for the person he wants to be.

Mohsin Hamid, The Reluctant Fundamentalist


Theme 1: Changez after the 9/11 attacks describes how “Americans had the determination to look back.” But it did not “contain a part written for someone like me” (Hamid 115). The xenophobia within American inhibited his ability to fully being able to assimilate and be perceived as a part of the American society. This prevention of feeling a sense of belongingness causes Changez to feel a sense of conflict and lose a part of his own identity.


Theme 2: Changez feels an internal shame within himself when after the 9/11 attacks, he temporarily feels happy because of his Pakistani identity and what the attacks implied for him and his life back home. However, he acknowledges the lack of sensitivity in this emotion. This scene sets the stage in illustrating the adversities that Changez experiences both externally and internally due to his cultural identity. (Hamid 112)

Sara Ahmed, “The Affective Politics of Fear”


Theme 1: “Fear establishes distance between bodies” (65). In examining the consequences of fear for the immigrant after 9/11, Ahmed talks about the inability of acceptance among the American community due to the escalation of xenophobia. This serves as a detrimental consequence for many individuals like Changez in the Reluctant Fundamentalist who are unable to assimilate or associate themselves as belonging to the American society.


Theme 2: Internal shame and lack of acceptance is also illuminated through Ahmed’s description of the politics of fear. She establishes the fear that many faced and the correlation it had to the 9/11 attacks of terrorism. (Ahmed 74-76) This caused many individuals to be victims of racial profiling and resulted in a feeling an internal conflict and ultimately self doubt as a result of being doubted, questioned, and not really accepted.

Jordan Peele, Get Out


Theme 1: The opening scene of the movie serves as a contrast to what societal norms have of danger and suburban neighborhoods. By establishing a sense of victimization and horror in the perspective of a black person in a white neighborhood challenges the expectations instilled within the perception of the viewer. This inhibition to conformity that the movie continues illuminates the intent of the director in wanting to focus on the perspective of an African American and the horror they face within society due to racial profiling and racism.


Theme 2: The whole movie focuses on the horror through the perspective of African Americans and reverses the expectations of horror for the viewer. However, through the actions of the main character, it can be seen that racism has deeply instilled moments of self-doubt and acceptance to racism which shows the internal shame or feeling of inferiority that a society driven by perceived white superiority has propelled.

Anna Deveare Smith, Twilight, Los Angeles


Theme 1: The play by Smith portrays the reasons and emotions of a diverse set of individuals regarding the reasoning for the LA riots. However, the LA riots' inability to resonate with the white community due to the inherent societal prejudices against minority groups inhibited them from attaining the progression and acknowledgement of injustice from the American public.


Theme 2: The shame that can be associated with the riots is how the tactics of violence and destruction of the local businesses affected the communities within the ghetto of LA. Even though the rioters were attempting to make a statement. They ended up creating more within the community for which many may feel internal shame or could be shamed by the counterparts of society.

Bell hooks, “Representations of Whiteness in the Black Imagination”


Theme 1: “Their inability to conceive the terror, like that of Sethe’s, is a response to the legacy of white domination and the contemporary expressions of white supremacy is an indication of how little this culture really understands the profound psychological impact of white racist domination” (Hooks 177). Hooks delves into how the perpetuated white supremacy in society has affected the perception of black identity. There is an expectation for African Americans to conform to standards of innate white inferiority in society, but in abiding to this, African Americans can lose their sense of identity or feel a sense of conflict.


Theme 2: “Black stereotypes of whites emerges as a trickle-down process of white stereotypes of blackness” (Hooks 170). White stereotypes of blackness can mentally have an effect on self-image and maybe even perpetuate self-contempt or shame. This is explored through the other works we have discussed over the course of this semester.

James Baldwin, “Notes of a Native Son”
“The white world is too powerful, too complacent, too ready with gratuitous humiliation, and above all, too ignorant and too innocent for that” (113)


Theme 1: Baldwin describes the expectations of conformity that a white society has perpetuated. In doing so, for African Americans, are inhibited from feeling a sense of acceptance. They undergo a conflict in their identity and where they feel like they can belong.


Theme 2: The “humiliation” that Baldwin describes in this quote illuminates the struggles that racism causes within African American individuals internally. They are forced to feel shame or self-contempt for being who they are, and the inability for a white society to acknowledge that, can prevent substantial progression.

Martha Nussbaum, “Beyond Anger”“Anger is both poisonous and popular. Even when people acknowledge its destructive tendencies, they still so often cling to it, seeing it as a strong emotion, connected to self-respect and manliness” (Nussbaum 1)


Theme 1: Anger can be perpetuated by one’s inability to come to terms with their treatment, which can especially be witnessed among the African American community. However, Nussbaum argues that with patience and non-violence, substantial change can be made for those individuals who are victim to racism and injustice.


Theme 2: Through this quote, it is also evident that Nussbaum perceives anger to be an expression of one attempting to retain their self-worth. This attempt to reconcile with self-worth is also a result of an internal conflict with one’s identity and possible shame that is perpetuated within the African American community because of the adversities they face due to racism.

Amia Srinivasan, “The Aptness of Anger” excerpt
“In its reconfiguration of the trope of responsibility and its reorientation of pride, ACT UP challenged the normative affective ties that lesbians and gay men have felt with regard to dominant institutions like science, the media, and the state” (p249)


Theme 1: During the period of the ACT UP movement, the LGBTQ+ community faced a lack of acceptance because a majority of white America normalized heterosexuality. However, choosing to stand up to these societal standards instead of simply conforming enabled the movement to resonate to the American public regarding the emergency of the AIDS epidemic.


Theme 2: The AIDS epidemic faced a lot of dismissal among the American society and the government because the victims of AIDS were predominantly LGBTQ+ and were shamed and blamed for getting the illness. However, through the movement, they were able to negate this notion and effectively establish the consequences of the illness if no one took action.

Jose Esteban Munoz, Cruising Utopia excerpt/Ernst Bloch, “Can Hope Be Disappointed?”


“Hope knows-by its own definition, so to speak-not only that danger implies salvation, but wherever salvation exists, danger increases. Hope knows too, that defeat pervades the world as a function of nothingness; and that futility is latent in objective real possibility, which carries both redemption and perdition, unreconciled with itself” (Bloch 189)


Themes 1 and 2: In addressing both themes of identity and internal shame, Bloch delves into how one can overcome their adversities and achieve a sense of hope through an affective way. In just conforming, losing a sense of identity, or feeling a sense of internal contempt, an individual is in a way letting “defeat pervade” and inhibits a notion of finality and justice.

Audre Lorde, “Poetry is Not a Luxury”


Theme 1: “The white fathers told us: I think, therefore I am. The Black mother within each of us- the poet-whispers in our dreams: I fee therefore I can be free. Poetry coins the language to express and charter this revolutionary demand, the implementation of that freedom” (Lorde 38) Lorde delves into the struggles that women face through sexism and how poetry is a way of expressing a sense of identity that is suppressed by the white men in society. Through poetry, even the “black mother” can resonate a sense of purpose and identity.


Theme 2: “Women see ourselves diminish or softened by the falsely benign accusation of childness..” (Lorde 3-4). In society, women are expected to feel a sense of inferiority and have historically been victim to feeling a sense of shame for ideas, values, and actions. However, Lorde throughout her essay acknowledges this adversity and establishes a way for women to find their sense of worth through a strong form of self expression like poetry.

Amia Srinivasan, “The Aptness of Anger” excerpt
Anger can be used for change but “it is more likely to be true for someone whose anger is not generally seen as sufficient reason to dismiss her from the public sphere-likelier that is, for the sort of person who is not already stereotyped as rageful, violent, or shrill.” (Srinivasan 136)


Theme 1: The inherent societal construct that perpetuate the stigma that enables racial profiling inhibts many minority groups, especially African-Americans from not being able to seek justice. Their identity is shaped by how a white society has framed them which causes them to not be able to attain the progression or justice that they are entitled to.


Theme 2: This quote also shows the shame that can be felt within African American individuals based on how they are already societally portrayed. By being stereotyped as “rageful, violent, or shrill”, they are many times not accepted for their individual identity which can result in self-contempt or shame.

Gran Fury, selected works

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“You’ve got blood on your hands” 1988
Theme 1: Instead of trying to accept and conform to the notion that AIDS was a result of the LGBTQ+ simply being unsafe, through this piece of work, Fury reverses the blame and puts society and its notions as the result of the epidemic and its dismissal.

“All people with AIDS are innocent”
Theme 2: The American public set this notion that the people with AIDS were to feel ashamed of their unaccepted sexual practices. However, this work tries to resonate the idea that they should not be feeling a sense of self-contempt, shame, or blame.

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Immigrant/Cultural Identity
Major works in which the conflict between choosing ethnic identity over American Identity and the adversities and progression it brings upon individuals and communities

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Racial Prejudice and Discrimination: Portrayed throughout the major works over the course, racism in American has inhibited the self-actualization of many individuals and instills a deep rooted negative mental consequence

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