Kafka's Metamorphosis demonstrates the dynamics of intersubjectivity in several cases. For instance, Gregor and his father is highly affecting each other's life, often in ways that denote Gregor; moreover, when Gregor transforms and becomes incapable of a normal life, this loss makes the family members jolt forward in their lives. Most unexpectedly, the prospect of getting intersubjective response or recognition in front of the Other even erases the doubt of Gregor Samsa's transformation "Indeed, he really did want to open the door, to show himself and speak with the general manager; he was eager to learn what the others, who were so anxious to see him, would say when they finally laid eyes on him. If they recoiled in horror, Gregor could surrender all responsibilities and rest easy." (Kafka, 11). This prospect becomes realized when the door to Gregor’s room is opened to the despair of his parents and the manager from his work. They react with screams and horror (Kafka, 13-15). Contrary to installing panic in Gregor, this moment of intersubjective confirmation of his status as an insect rather comes to stabilize his identity,