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Eliot is a moralist as much as an artist (Eliot as moralist (Tragedy…
Eliot is a moralist as much as an artist
Eliot as moralist
Selfless service
St. Teresa foreground
Inadequacies of 'woman's lot'
Paintings of women
Rosamond classed among flowers/music
Tragedy
Rosamond and Lydgate
Dorothea and Mr. Casaubon
Caterina and Mr. Gilfil
Use of art as vessel for empathy
Ladislaw - drawing Dorothea
Keen vision of all human life
Art and moral misunderstanding
Reverend Amos Barton
Dorothea insults Ladislaw
"Heretic about art"
Art vs the world
Featherstone's funeral
Art and the 'rest of the world'
Eliot as artist
Meta-art
Rome
Ladislaw's penchant for drawing
Realism
Visual and emotively powerful writing
Imagery
Pathos
Caterina (Mr. Gilfil's love story)
Janet's repentance
Characterisation
Dorothea Brooke
Lydgate
Bulstrode
Lower classes
Reverend Amos Barton's awkwardness
In convo with previous / contemporary art
Epigraphs
Rome
The paintings of the past e.g. Dorothea's great-mother-in-law