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Raphael, High Renaissance, 16 century - Coggle Diagram

- - - - Not just imitation, more lively
        
        The Marriage of the Virgine
        
        He takes away all unessesary details
        
        The Temple = Marriage = Wisdom = Mary herself
        
        All the perspective lines go to the open door = eternity, space
        
        Figures and colors are vivid
        
        He improves Perugino's ideas, he absorbs and then changes
        
        He gets any possible influence and then make them personal, absolutely open artist
      - Very close to Perugino style but gives more character and more space , Ansidei Madonna
- - - - Change from pomegranate to book: slight but meaningful change
      - Unbalanced position of the boy
      - Delicate and calm character
      - Belvedere Madonna
        
        He studies the composition doing sketches, does just the same study as Leonardo
        
        He uses every variant of composition for future pictures
        
        Idealized geometry, perfectly balanced - pyramid, pure harmony
        
        Use of colors - delicate colors of landscape and pure colors for Madonna's cloths
    - - idea comes from Perugino, the Lamentation but makes more dynamic
      - He studies nudes, skeletons - the idea of dying (Mary), how is it showed
        
        The anatomy is crucial
      - They were story tellers
- - - - Attention to details, wanted to satisfy the commisioners, to show their individuality in the best way
        
        Raphael was adored
  - - - Loved arts, gathered the collection of ancient sculpture
        
        Decided to found a new place, a courtyard to gather the most important masterpiece of ancient sculpture - open place
        
        Belvedere gardens
    - - Michelangelo project of his tomb but he decided not to make a tomb but to reconstruct the whole St.Peter
        
        Julius - as the new Cesar - the heir to ancient emperors of Rome
        
        St.Peter - the first Christian Basilica built by Constantine
        
        Donato Bramante
        
        the basilica after 30 years of construction
        
        Reconstruction of the Belvedere courtyard (not realized)
        
        The garden connecting the St.Peter Basilica with the Belvedere Villa
        
        It was a huge project, ordered and symmetrical
        
        Terraces, fountains, walking areas
        
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