Elements of Design

Conceptual Elements

Point

Line

Plane

Volume

Indicates position

does not occupy any area of space

Beginning and end of a line

Where 2 lines meet or intersect

Are not visible

Do not actually exist but seem to be present.

Forms the border of a plane

As a point moves it becomes a line.

Has position and direction

It is bound by points

Defines the external limits of a volume

It has length and breadth but no thickness

Visual Elments

Shape

Size

Color

Texture

Anything that can be seen has a shape which provides the main identification in our perception

Three primary planes described by Bauhaus moment where the circle, the square, and the triangle.

Described in terms of bigness and smallness.

Relational Elements

Direction

Position

Space

Gravity

Practical Elements

Frame of Reference

All elements normally exist within a boundary called a "frame of reference".

Governs the placement and interrelationship of the shapes in a design.

Direction and Position are perceived

Space and gravity are felt

Direction of a shape depends on how it is related to the observer, to the frame that contains it, or to other shapes nearby.

The position of a shape is judged by its relationship to the frame or the structure.

Shapes of any size, however small, occupy space. Space can be occupied or left blank. It can be flat or illusory to suggest depth.

The sense of gravity is not visual but psychological. As we are pulled by the gravity of the earth, we tend to attribute heaviness or lightness, stability or instability to individual shapes or groups of shapes.

A shape is distinguished from its surrounding because of color.

Texture refers to the surface characteristics of a shape. This may be plain or decorated, smooth of touch as much as to sight.

Marks the outer limits of a design and defines an area within the created elements and left-over blank space all working together.

Physical frame

should be considered as an integral part of the design.

no physical frame

Edges of a poster, the page of a magazine, the various surfaces of a package all become frames of reference for the respective designs.

Can be any shape, but usually rectangular.

Picture Frame

Lies within the frame of reference

Is the plane surface of the paper upon which the design is created.

Shapes are directly painted or printed on the picture plane

Can appear to be above, below, or unparalleled to it because of spatial illusions