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injustice (vocab (acknowledged (recognition, acceptance, respect, credit,…
injustice
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Penelope remains indifferent to her fate as a woman and accepts it as granted, Rosalind is affected by it
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rosalind achieves personal fulfilment (career - world wins), penelope doesn't and remains 'haunted' by the maids
P51 provides audience with sense of closure in terms of protagonist achieving goal and coming to terms with her fate whilst both the maids and penelope remain 'restless' as do the audience
P51 gives closure + acceptance the way things are, motivates the reader to consider the need for the acceptance of misogyny to change
penelopiad is open-ended and ends with a 'rhyme' or 'riddle' the audience needs to give the ending more thought and are driven to seek closure via reversal of societal roles
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Penelope + maids voice their own stories (true female perspective) whereas the men give voice to Rosalind's story.
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No women afforded a position of power in photo 51 but some are in penelopiad (Naiad, the fates, artemis, helen)
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contemporary audience is acknowledged by penelopiad (in story - trial) but not set in present in photo 51- retrospective narratives and conversational tone allow for breaking of 'the fourth wall' and communication with audience which highlights the relevance of message to the audience's own lives
maids are able to do something about injustice (curse on odysseus + haunting) whilst rosalind is unable to alter her fate
maids provide potential reasons for their death to prompt reader to consider it's necessity and the justice they have been denied
Rosalind is respected and admired by some (Caspar + Gosling) but penelope is never truly respected as a woman for her societal contributions despite seeking validation