All's Well That Ends Well (Meg Mayerle)
Act 1
Basic Plot
Main Characters
Symbolism, Imagery, & Themes
Act 2
Basic Plot
Main Characters
Symbolism, Imagery, & Themes
The opening act of All’s Well That Ends Well consists mainly of exposition, with the plot starting to pick up only in the final scenes. The play opens with a scene of grieving, as the husband of the countess (and father to Bertram) has died. Later in this scene, Helen considers her hidden love for Bertram following a conversation between the two of them. The second scene is relatively brief. The King discusses the war between the Florentines and the Senoys, then greets Bertram, who has just arrived in Paris. The two discuss Bertram’s father, the late physician, and the King’s declining health. In the third scene, the Countess learns of Helen’s love for her son because of a conversation where Helen denies the Countess to be her mother, as Bertram cannot be her brother. The Countess and Helen discuss Helen’s plan to heal the King with her father’s medicines. The Countess encourages Helen to pursue the success of this plan.
The main characters of the first act of All’s Well That Ends Well are the Countess, Bertram, Helen, and the King. The Countess is the wife of the late Count of Rossillian and mother of Bertram. Bertram is the new Count of Rossillian, as he has taken his father’s place, and also the subject of Helen’s love. Helen is the father of a late famed physician. She is lower in status than the aforementioned characters, but is nevertheless in love with Bertram. The King is a high-status man of declining health. He was friends with Bertram’s late father.
The opening act of All’s Well That Ends Well has themes of human nature and thought, with conversations surrounding virginity and mortality. In a conversation between Hellen and Parolles, he states, “Man is enemy to virginity, [..] (virginity) ‘Tis a commodity will lose the gloss with lying, the longer kept, the less worth.” In a conversation with Helen and Countess, Lafew states, “Moderate lamentation is the right of the dead, excessive grief is the enemy of the living.”
A strong theme of All’s Well That Ends Well is introduced in act one: the great chain of being. The great chain of being is a system of social status that was widely accepted during Shakespearean times. It put different citizens at different social statuses, the King being the highest, his family following, then noblemen and noblewomen, the middle class men, middle class women, peasant men, and peasant women. God was above all on this hierarchy of being, and things such as rocks and simple plants were at the bottom. This chain of being is first introduced as a challenge for Helen, as she is in love with Bertram, a man of a higher class than her. Helen is one of the few characters that opposes the chain of being, believing that one can better themselves with their own efforts and one does not have to live within the boundaries of their class. Her belief is highly unpopular, as most people during this time period believed that the best way to live was to stay within the class they were born into.
Act two of All’s Well That Ends Well opens with a scene of the King sending off French soldiers to fight in the war. Bertram is staying behind, following orders from the King. Helen arrives in Paris and is proposes her plan to the King. She suggests that if her remedies don’t work, she will offer her life, and if they do work, she will have the hand in marriage of any man she chooses. The King accepts these terms after much deliberation, as he previously believed that there was no hope for his health. The Countess sends a message to Helen. Helen’s medicine cures the King, and staying true to his word, the King lines up a few eligible men and offers one of them to Helen. Helen rejects them all, claiming Bertram was the one that she wanted. Bertram was appalled by this, for he considered Helen to be much “lower” than him. He protests, but the King threatens his social status and to that Bertram begrudgingly obliges. The two are wed. The newly married Bertram returns to Parolles and claims that he will never accept the marriage. Bertram's plan is to send Helen home to his mother, and run away to war.
In both act one and act two of All’s Well That Ends Well, Parolles and Lafew are characters that bring mood-lightening banter to the play. Parolles is a companion of Bertram, he is by Bertram’s side whenever he needs help. Bertram often goes to Parrolles first for issues, and Parrolles always defends Bertram’s honor. Lafew is a French lord that is often seen in conversation with other noblemen and higher-ups on the chain of being, serving the King. Lafew is the lord that introduces Helen to the King, enabling her to go forward with her plan.
Act 4
Act 3
Act 5
The theme of the chain of being appears in act two, continuing to hinder Helen. After Helen succeeds in curing the King, she has the choice of marrying any man she chooses. When she chooses Bertram, he is appalled and goes quite unhappily into the marriage, for she is of a lower class than her. Helen succeeds in getting Bertram’s hand in marriage, but the chain of being proves to continue to be an issue for her, as Bertram still doesn’t accept her as his wife and will run from her in the following act.
Main Characters
Symbolism, Imagery, & Themes
Basic Plot
Main Characters
Symbolism, Imagery, & Themes
Basic Plot
Main Characters
Symbolism, Imagery, & Themes
Basic Plot
(1) Act three of All’s Well That Ends Well begins with a scene of war preparation. The Duke of Florence is greeting French lords who have brought soldiers to fight in the war. The first lord tells the duke that he is sure more young men will come from his country to fight, one they become fatigued by too much leisure. The second scene begins with the fool returning to Rossillion with a letter from Bertram. The countess reads the letter, which explains her son’s predicament, and his plan to run off to the war and never “bed” Helen. The Countess is exclaims that her son’s decisions are rash. Helen arrives in Rossilion with a letter from Bertram, which she reads to the Countess. The letter states that only after a ring is on Bertrams finger and she bears his child will Bertram accept her as his wife. Upon hearing this dreadful statement, the Countess declares that she will wipe Bertram from her bloodline, that he is no longer her son, but Helen is her child. Helen, the Countess, and two gentlemen converse about Bertram’s line, “Till I have no wife I have nothing in France.” Once Helen is alone, she proclaims that she will leave Rossillion, as Bertram will not come back to safety until his wife is gone.
In act three of All’s Well That Ends Well, readers are introduced to three new characters, Diana, her widowed mother, and their neighbor Mariana. They treat Helen with kindness and hospitality. Later in the chapter, readers learn that Bertram is pursuing Diana.
Act three of All’s Well That Ends Well casts an uncomfortable light on human nature. Within the act, both Bertram and Helen do things out of selfishness. Bertram decides to commit adultery, having been attracted to Diana while away from home. Helen knows this, and takes the place of Diana in bed in order to eventually bear the child of Bertram. This action is essentially rape, as Bertram consented to being with one person and was unknowingly in bed with a completely different person, whom he did not consent to. Both of these actions paint a negative picture of humanity and human nature, making this act of the play more dynamic than the others.
Act four of All’s Well That Ends Well opens with a scene of a few French lords fake-kidnapping Parrolles, in an attempt to prove his faithfulness. They blindfold him and threaten his life, claiming they will spare him if they receive information on Parrolles’ regiment. Parrolles offers information on anything they would like to know. This proves him to be untrustworthy. The second scene of act four features Diana and Bertram. Diana agrees to be with Bertram on the condition he give her his family ring. At first, he is reluctant, but he succumbs eventually, overjoyed that she will finally bed with him. In the following scene, a few French lords address the reported death of Helen. Bertram is aware of this news, and plans to return to Rossillion, still believing that it was Diana he was with. Later in the scene, the French lords continue their fake-kidnapping of Parrolles, where he gives away a multitude of valuable secrets about the strength of the army of the Duke of Florence. During this interrogation, Parrolles also reveals his true feelings on some of his fellow soldiers. Angered and offended, the French lords first sentence him to death, but then after some protest from Parrolles, simply leave the traitor alone, abandoned with no resources. Helen, Diana, and Diana’s widowed mother set off to seek the King’s court, where Helen plans to tell Bertram that she has fulfilled his requirements for marriage. The Countess grieves the reported death of Helen with Lafew, who suggests that Bertram should take the hand of his own daughter. Bertram arrives in Rossillion.
In act four of All’s Well That Ends Well, there are no new characters introduced, but there is a change of character. Before act four, Parrolles is perceived as a nobleman, loyal to Bertram and his fellow soldiers. After the French lords fake-kidnap him, this changes, as he gives away valuable information about the army of Florence in order to save himself. Parrolles is now seen as untrustworthy and unloyal.
(1) The final act of All’s Well That Ends Well opens with a scene of Helen, Diana, and Diana’s widowed mother arriving at the French court. Helen asks a gentleman to give her letter to the King, but the gentleman tells her that the King is not there, but headed to Rossilion. He, too, is heading that way, so Helen gives the letter to the gentleman to keep safe and give to the King. Parrolles, abandoned by his former friends, arrives in Rossilion and meets Lafew. He begs, and convinces, Lafew to take him in for work. In Rossilion, the King and Lafew discuss the death of Helen and the recently planned marriage of Bertram and Lafew’s daughter. Bertram arrives, and after a short conversation, the King forgives him for his wrongdoing and tells him of the marriage plans. Lafew and the King then notice Bertram’s ring, which previously belonged to Helen. Bertram tries to deny that it was ever hers, but the King claims he gave it to her when she cured him. Bertram continues to deny it, and the Countess chips in to say that she saw Helen wearing it. Bertram claims that the ring was thrown to him out of a window, but the King continues, insisting it was his, then Helen’s. The King sends Bertram away and a gentleman enters with a letter for the King.
There is little change of the main characters in the final act of All’s Well That Ends Well, but there is a significant change of heart for Bertram. Originally angered and disgraced by his wife, Bertram is now happily married to Helen, for she fulfilled his requirements for their true marriage.
The final act of All’s Well That Ends Well deals with the title of the play itself. Conflicts were resolved, couples were united, and it seemed on the surface that everyone was satisfied. From the surface, the title of the play comes true, for everything ended “well” and therefore process of arriving at this conclusion is justified. But is this actually true? The concept of justified means is a tricky one. It calls to mind the political theory THEORY, where the ends justify the means. On paper, this theory appears to be alright, but it can be dangerous in practice. It can be used to justify terrible things, such as slavery or genocide. Within the story, it is used to justify borderline rape, trickery, and lies. This raises the question, has all actually ended well?
(2) Over at the battle, the Duke of Florence puts Bertram in charge of the cavalry. Back in Rossillion, the Countess receives the letter that Helen left for her. The letter explains that Helen has gone on a pilgrimage to St. Jaques’ shrine, to seek repentance for her overambitious love, and so that Bertram can come home safely. Helen instructs the Countess to write to Bertram immediately that she has gone, so he will quickly come home. The Countess tells one of her servants to write to Bertram, distraught about the contents of Helen’s letter. On her pilgrimage, Helen meets Diana and her widowed mother. They discuss where Helen is going and where she will stay, and the events regarding Bertram and her unwanted wife. During this conversation, Helen acts as though she is not the unwanted wife, but someone who knows only a bit about the story. It is discovered that Bertram has been trying to seduce Diana, and the women discuss the looks and attitudes of Parrolles, Bertram, and the other French soldiers. Parrolles is distraught as the loss of his drum, so Bertram and his colleagues make a plan to prove the disloyalty of Parrolles. After this, Bertram speaks to another lord about his love for Diana, and they set off to go see her. Helen speaks to Diana’s widowed mother about her plan to acquire the ring of Bertram and bear his child. After some back and forth, Helen convinces the widow to go along with this plan, where Helen will take Diana’s place in bed and fulfill the requirements of Bertram’s letter. The widow tells Helen to instruct Diana on this plan.
(2) The letter is from Diana, who writes that Bertram and her had plans to marry, but he returned to Rossilion without her. She asks the King to officially make Bertram her husband, so she is not left without her virginity and without a husband. Diana then arrives in the court. Bertram first denies her as his wife, but Diana then displays his family ring. It is revealed that Diana gave Bertram Helen’s old ring. Diana is sent off by the King after frustrating him with her words on the ring. Helen and the window then enter the court. The King is shocked at her presence. Helen then addresses Bertram, claiming that she had fulfilled the tasks he assigned. Keeping to his word, Bertram accepts Helen as his wife. The two are happily wed. The King offers a husband to Diana, and all characters are satisfied. This concludes All’s Well That Ends Well.
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It seems that often Shakespeare introduces small themes and notes about human nature through individual character comments rather than plot points. In act four, scene three, the First Lord states, “The web of our life is of a mingled yarn, good and ill together. Our virtues would be proud if our faults whipped them not, and our crimes would despair if they were not charised by our virtues.” This statement holds deep meaning, both within and outside of the story. In the quote, the lord speaks about good and evil, and how one couldn’t exist without the other. Within the story, this holds true. Each character has positive and negative qualities that give the story dimension, in the same way each person has qualities that make like more than black and white.