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Brandenburg Concerto No. 2 Second Movement (Texture (Parallel Motion…
Brandenburg Concerto No. 2
Second Movement
Instrumentation
Organisation
:black_small_square:
Flauto
: Recorder
:black_small_square:
Hautbois
: Oboe
:black_small_square:
Violino
: Violin
:black_small_square: Basso Continuo
Theme and Development
Subject
Conjunct motion
Anapaestic rhythmic figure
Anacrusic
Countersubject
Conjunct motion
Anacrusic
Crotchet rests punctuate the movement and create holes
in the texture
Texture
Three-part imitative canon
Parallel Motion
Subject in the
oboe and violin
Bars 12-13
Harmony
Modulations
Descending
Circle of Fifths
:hand::skin-tone-5: :hand::skin-tone-4:
Bar 49 to 56
A∆ :point_right::skin-tone-6: D∆ :point_right::skin-tone-6: G∆ :point_right::skin-tone-6: C∆ :point_right::skin-tone-6: F∆ :point_right::skin-tone-6: Bb∆ :point_right::skin-tone-6: Eº :point_right::skin-tone-6: A∆
Bars 33 to 37
Bb∆ :point_right::skin-tone-6: F∆ :point_right::skin-tone-6: Cm :point_right::skin-tone-6: Gm :point_right::skin-tone-6: D∆
Chord changes
every bar
Cadences
Cadential 6-4
Bars 14 to 15
Modulation to Am
Bars 63 to 64
Cadence on D
Tierce de Picardie
Bars 22 to 23
Modulation to C
Interrupted cadence
Bars 62 to 63
Delays the expected perfect cadence
A to Bb
Diminished seventh
Bars 63-64
Bbdim :point_right::skin-tone-6: Bdim
Helps to emphasise
the hemiola
Rhythm
Hemiola
Bars 63-64
Section I
mm. 1 to 14
Section II
mm. 15 to 22
:black_small_square: Am (
v
)
Section III
mm. 23 to 32
:black_small_square: Cmaj (
bVII
)
Section IV
mm. 33 to 42
:black_small_square: Bbmaj (
bIV
)
Section V
mm. 43 to 65
:black_small_square: Gm (
iv
)
:black_small_square: Dmaj (
I
)
:black_small_square: Dm (
i
)
