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Sunrise: Opening scene (MISE-EN-SCENE (Contrast (of the tourists visiting…

- - - - the angle of the shot is very unusual and clearly highlights the influence of german expressionism within this film
      - Impossible perspective and angle, with the train going into the bottom left corner #
      - Camera is stationary
  - - - Symmetrical, with the ceiling of the boat and the people on the boat
      - The boat is what's moving
    - - Impossible perspective that's created within the shot, due to different pieces of furniture being located at different angles
      - forced perspective
        
        this is created by the lamp that's located in the top left corner
      - It could be expressing the feelings of the couple and therefore it's implying that they are unhappy with the woman from the city staying with them
    - - This links to the idea of her going around in the shadows and the audience is experiencing it with her
  - - - this gives us a better look at her
- - - - shows she sees herself as superior
    - - high maintenance
    - - this contrasts with the wife because the wife is always wearing light coloured clothing
      - Symbolises that the woman from the city is trouble
  - - - it implies the shadow of doubt he has, although lust is out weighing it
- - - - this action had to be over the top, otherwise the audience wouldn't understand what she was doing
- - - - It makes it look like the train is going to crash into the other one