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Winter's Bone: Truck Scene (MIS-EN-SCENE (Gail's Baby (Ree holds…
Winter's Bone: Truck Scene
SOUND
Diegetic sound
Naturalistic
Heavy metal is being played by Chuck when she goes to the house
Implies teh masculine dominance within the house
PERFORMANCE
REPRESENTATION
EDITING
Naturalistic
Stays in tune with the documentary feel of the film
Invisible Editing
CONTEXT
CINEMATOGRAPHY
Ree is left with the child and there is a lot of negative space around her
Isolates Ree, implying her loneliness and how no one looks after her
Tracking shot
Ree walking to the house
Audience is going with her on her journey
Encourages a relationship between Ree and the spectator
Enigma of where she is going
Actively on her side, because we know what's at stake
This makes us side with her because we think back to times when we have had problems with money or possibly losing our home too
Camera is there before her at the door
Spectator is waiting for her
Makes the gravity of the scene more obvious
Implies the idea that she's nervous because audience is positioned before her
Placement of characters makes us question their relationship
Close up
Of Ree when she asks if she can go inside
Spectator feels confined
due to their not being much empty space
Long shot of Chuck showing his whole body
Can see his structure, implying his dominance
It's a man's world
Ree has to ask for Chuck's approval to go into the house
POV
Pov of Gails view
Puts audience in Gail's perspective, making us feel closer to her, it makes the spectator feel like they can trust Gail
It also shows the close friendship between Gail and Ree
It's of Ree falling onto the bed
Implying she is exhausted
Shots get closer and closer to Ree and Gail as they talk
Shows Ree is relying on Gail
Intimate
Shows close relationship they have
Also implies the importance fo the conversation
AESTHETICS
MIS-EN-SCENE
Gail's Baby
Ree holds baby, shows her mother instinct
Shows that it's natural for her because she has to look after her brother and sister
Ree get's left with the baby, linking to her being left with her brother and sister
The baby isn't Ree's linking to the fact that her brother and sister are not essentially hers
Baby links to the babies at the school
Gail has gone down one of the three routes Ree can go down
Bedroom
Femine space
Light and warm tones
Chuck
Wearing Motocross gear
Traditional woman role, looking after the family + Gail looking after her husband and baby
Question their relationship because he is sat in a chair drinking beer, while Gail does everything
Seems like an old traditional family, although people are moving away from this structure
Spatial Relationship
Audience is aware of the female and male layers in the house
Ree has to ask Chuck if she can enter
Stop sign
Contextual infomration
Makes the spectator question if she should go there
Wind Chimes
Spiritual
Link to hope
House is masculine inside
Shows Chucks dominance in the relationship
Or it's possibly because they can't afford anything nicer
Its 'known knowledge' that his wife should be good to him
Gail walks back into the bedroom through the door
Implies how easy it is for men to drag women into their world but not fully
Most women do the dirty work of the men within the film
Gail's back from the 'man's world'
Women are only allowed to see snippets of the man's world they are surrounded by, but then men still expect them to do their dirty work