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Spectatorship: Winter's Bone and Inception (AUDIENCE (Catch events…
Spectatorship: Winter's Bone and Inception
DIFFERENT READINGS
Stuart Hall's Philosophy
Preferred Readings
Aligned with the text
Simple readings of the film
Negotiated Reading
Mostly aligned with the text, however own circumstances influence the viewers interpretation
Oppositional Reading
Completely against the text
Depends on the person's own circumstances
Aberrant Reading
Text interpreted completely wrong
AUDIENCE
Large number of people
Respond before and after the film, not during it
Have a preconceived ideology that's based on society
Catch events that are emotive
Finds one person to blame
Group of people
Shared ideologies
React the way the producers want them to
SPECTATOR
Reacts throughout the film
Dynamic reaction - constantly changing
Reacts in the momenet
Personal experience shapes how they view the film/react
One person
Dont' react how the producers want them to
FILM IS A CONSTRUCT IT'S A LIE, NOT SHOT IN CHRONOLOGICAL ORDER
25 Frames per second
Visceral
When you feel a deep emotion due to an element within the film
Key to sound
Continuity editing
Immersive, meaning it makes the audience believe in the story and the characters
ACTIVE SPECTATORSHIP
Bring personal ideals to the film
Social, Cultural and Ideological baggage
Results with everyone interpreting the film a different way
Question the film throughout it
Given implicit information, that makes the question
React's throughout the film
NEED TO TALK ABOUT CINEMATOGRAPHY AND MIS-EN-SCENE
PASSIVE SPECTATORSHIP
Given explicit infomration
Results with them not questioning the film
Do not question film
Not swayed by emotional baggage
HAVE TO TALK ABOUT CINEMATOGRAPHY AND MIS-EN-SCENE
SPECTATOR POSITIONING
Cinematography
Over the shoulder when people are talking
Shot angles
Camera never breaks 180 degree rule
shoots/roams the landscape
Gives more texture to the social fabrics