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DRAMATURGY AND PATTERNS (formal patterns (examples (formal movement…

- - - - actions, form & setting ignored
      - central & 'original' act
        
        fertility death/revival theme
    - - little leeway for change (performance or script)
      - burson - script basic framework
        
        humorous/topical improvisation
  - - - verbal & physical aspects
        
        previously pushed to the side
        
        only appreciated through direct experience
      - most difficult performances purely verbal
        
        without movement/interaction
    - - dramaturgical analysis - determine interaction
      - status of the play as a whole
- - - - in relation to organised space
    - - marks distinct dramaturgicalmode
      - comparisons possible across traditions
- - - - non-representational
        
        formal patterns of movement
        
        little attempt to foster dramatic reality
      - pettitt - introductory presentations
        
        characteristic dramaturgical formula
        
        formal conclusions
      - english dramas presentational
        
        performances framed
  - - - not liturgy/rites of primitive cult
      - limited relationship to 'drama'?
      - mimetic, representational, formal patterns of movement
    - - increase 'folk drama'
      - correct antiquarian bias of scholarship
        
        room for studied of creativity & innovation
        
        effect of specific circumstances
  - - - lack of dramatic realism
        
        ccentuated by extreme formality
    - - establish acting area
      - characterise confrontation/combat
    - - doorway obstacle
        
        seek permission/without permission
- - - - vice versa