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Lacan, Film & the Disabled Body: New forms of subjectivity: the…
Lacan, Film & the Disabled Body: New forms of subjectivity: the disabled body as whole, complete & the able body as lacking fragmented/
Challenging the hegemony of normalcy/binary thinking
Sign Language: E, A
Primal, pre-Symb+ Deaf trad)(absence of lang
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Coordinated body: dancing, signing
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THE DISABLED BODY (E&A)
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Mirror scenes, E&A
Recognition, jubilation, desire, narcissism= COMPLETION (esp water scene)
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Mirror scene 2 (proper)
Sexual, alluring, flirtation
Lang: signified, closer to Imaginary, sign lang
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Mirror scene 4,5,6,etc: in the bathtub
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THE CASTRATED BODY (S)
"Normal" but fragmented, castrated: mirror stage gone wrong
Phallus as signifier= nuclear family, American dream, masculinity
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Castration 1: Fingers, by the A
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Castration 2: Gen Hoyt
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Mirror scene: paranoia, hallucinations
Signifiers: nuclear family, Am dream, white-picket-fenced house (e.g. Giles's drawing)--without a signified & end up unconnected
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DISABLED/ NON-DISABLED
TGSW
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Hero: PTB, focal point, core
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"Normal" universe, at the centre
The disabled aren't really: mixed race, black,etc
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The Unconscious
Setting (dark, 1962, decaying neighbourhood, rundown, not prosperous businessnes: cinema, art--to be substituted by photog)
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Eggs
)( Dreams, unconscious (surrealism)
)( Imaginary & primitivism, origins
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