How can fictocritical writing strategies (particularly first person perspectives) enhance our understanding of sonic art and effectively contribute to the field sound studies
first person perspective - tomographic approach - , embedded phenomenology of listening
ficto-critical form - the subject in process - the subject in relation to the theory
what is sonic art? - draws on the idea of reorganisation of conscious perception... to describe this conscious perception requires a first person perspective....
what is sound studies - approaches to exploring the experience of sound and listening - scope - concentrating on sound studies that are occupied with sound art
digital literature manifestation of ficto-critical form
individual creative languages of listening - field study
examples of ficto-critical writing
practice based writing
Notes: Can a tomographic approach expressed through ficto-critical forms enhance our understanding of sonic art - What can ficto-critical writings about sonic art that employ a tomographic approach (a first-person perspective) add to sound studies. - What are the benefits of a ficto-critical approach to sound studies - how does a first person perspective expressed within ficto-critical writing offer a valuable contribution to soundstudies --
Creative publication illustrating ficto-critical writing from first person perspective.
"What does it mean to exist according to listening, for it and through it, what part of experience and truth is put into play? " Nancy p5
lit review -
what is sonic art and sound studies
embedded embodied ist person perspective of listening (phenomenology)
ficto-critical writing and its effects on theory
digital ergodic formats for this writing
subjectivity
feminist sound theory
feminist standpoint theory
Is practice sounding situated knowledge
artists standpoint
sometimes the first person does not manifest as an i within a fictocritical text but rather as an embrace of a "I" in the shadows that is sharing a creative impression...evidently a subjective one.
feminist literary theory
is it about sbjectivity within sound theory writing
how can first person perspective writing strategies within sound studies enhance our understanding of sonic art?
first person - intertextuality - creative & poetic devices (metaphor- narrative)
the interplay of subjective and objective positional strategies within fictoricritical writing about sonic art,
how can the interplay of subjective and objective positions within fictocritical writing
enhance our understanding of sonic art and effectively contribute to sound studies.
how can fictocritical writing strategies be employed to enhance our understanding of sonic art and be an effective addition to sound studies.
fictocritcritical as the site of subjective and objective positions in interplay
first person perspective
intertextuality
poetic registers/metaphor/narrative
embodied listening - phenomenology
grammars - languages of listening
digital deliveries
definitions of sonic art
define sound studies
Conceptual framework: interplay of objective and subjective from feminist perspective - speculative realist...
Praxis - fictocritical document
languages of listening interviews - qualitative semi-structured interviews based on phenomonolgical methods
journalling - works as case studies
theory informed writing - creative writing methodology
content analysis of other texts