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Δημιουργική Οικονομία (BACKGROUND (“It is said in Broadway that as a…

- - - - “There's no such thing as civilization. The word just means the art of living in cities.” Roger Zelazny
- - - - ΟΙ εξαγωγές τους έφτασαν στα 646$ δυσεεκατομμύρια δολάρια το 2011 (international trade centre ITC)
        
        Connectivity offers a better explanation. Creative trade in services grows 70% faster than trade in creative goods,12 and these transactions are increasingly happening through the Internet.
        
        Large film industries such as Hollywood in the US, Bollywood in India and Nollywood in Nigeria jointly produce more than four thousand movies per year: more than 80 per week! Their box office sales reach At the same time, videogames seem to be everywhere: they already represent up to 70% billions of dollars around the world. of tablet usage.]
        
        Meanwhile, since its launch in 1998, iTunes reports more than 25.000.000.000 song downloaded (at $.99 per song) and more than 50.000.000.000 apps Large film industries such as Hollywood in the US, Bollywood in India and Nollywood in Nigeria jointly produce more than four thousand movies per year: more than 80 per week! Their box office sales reach At the same time, videogames seem to be everywhere: they already represent up to 70% billions of dollars around the world.of tablet usage.Meanwhile, since its launch in 1998, iTunes reports more than 25.000.000.000 song downloaded have been download from the AppStore.
- - - - Ιt displays a pathway from supply to demand, from creation to production, to distribution to commercialization, and, finally, to consumption.
        Explicit recognition that amongst a broad base of ideas and creations generated through innovation only a portion will become commercially viable. A feedback loop that demonstrates the critical role different incentives can play at each stage of the value chain. Emphasis on good governance and intellectual property as central crosscutting conditions that facilitate the process, underscoring the importance of institutions.
- - - - Γιατί πρέπει να επωφεληθεί η Ελλάδα από αυτή (σε σχέση και με τις άλλες χώρες)
        
        creating a conducive environment for the production of intellectual capitalWe need to retain, attract, capture and reproduce the talent of highly mobile youth, a group often undervalued socially and poorly rewarded economically in our societies.
        
        The cultural and economic processes that turn “symbolic content” into goods and services for society are evolving constantly. Digital technology has accelerated the rate of this evolution, making it difficult to understand these dynamics at a time when when we need to do so most. This reflects, in part, On one hand, trying to keep traditional values and identity relevant. while (As the Romanian dramatist Eugene Ionesco would put it, the arts teach us that there are things whose existence is indispensable, even though they are useless.) the contradictory nature of the arts: they resist change enthusiastically embracing experimentation with new ideas and technologies, pushing the limits of their use.
        
        These venues are access points people go to or connect with, either by chance or because their preferences have been informed: