A Streetcar named Desire
Context
Key quotes and the theme they link to
Expressionism and symbols
Key Themes
Biographical
Origins of the play
Historical
Philosophical and Mythological
Literary Tradition
Social
Cultural
During the time when this play was set, the idea of the 'New Woman' emerged which had a huge impact on feminism and helped women move towards more of a semblance of equality. They had more liberal and relaxed attitudes towards sex and many would discuss is more freely like Stella.
An example of this is Mae West (mentioned by Mitch when he holds a statue of her after their date). She was a television star who often made light hearted sexual innuendos and made jokes and comments mocking the prudish nature of Old American traditions.
La Dame aux Camelias is referred to on page 70 which was written by Alexandre Dumas which is about a romantic but illicit love affair- allusion to hers with the student?
The Southern Belle is an emblem of the morally conservative Deep South upper classes- often likened to almost a system of aristocracy.
Williams began writing the play in 1945 but it was first performed in 1947.
The play was originally called 'The Moth', 'Blanche's Chair in the Moon' and the 'Polka Night'
Stanley was originally depicted in different ethnicities like Italian and Irish but ended up as Polish so he could represent the American Dream as someone from a different culture who made it to/in America.
The American Civil War took place in 1861-5. The South was defeated by the North and some critics consider Blanche and Stanley's conflict to be a metaphor for this. Much of the conflict was centred around slavery and when the South were defeated, many plantations like Belle Reve struggled to survive.
The Second World War took place between 1939-45 with America joining the war in 1941. Many American men (such as Stanley and Mitch) would have fought in it and they returned buoyant and confident and ready to embrace the post-war economic boom.
At uni Williams studied Chekhov and Ibsen. Both are early modernists. Williams could be described as a late modernist. Modernism was influenced by social changes such as war and industrialisation.
Elysian fields in Greek Mythology is a resting place for dead heroes. Perhaps Stanley, through his war efforts and family's success in assimilating into America, could be seen as a hero- also links to Blanche's obsession with death
Although “Stella” means star, the sole character in the play who looks up at the sky is Blanche. She is interested in astrology but despite the parallel with her own situation, she fails to read the signs of her destiny. Her tragic blindness is all the more ironic as the omen is inserted by Williams just before the peripeteia—in the next scene Stanley goes on the attack to eliminate his enemy. Blanche trivialises the myth of the seven daughters of Atlas, who were pursued relentlessly by the mighty hunter Orion until they were all translated to the sky. Both constellations rise in May and set in November, which is the approximate span of the play.
Williams gives a symbolic name to the local night club, whose music pervades the entire play. “The Four Deuces” combines a reference to the quartet of main characters with an allusion to card games and to bad luck—the deuce being the lowest card in the deck—thereby reinforcing the fateful import of the metaphoric poker game. Derived from the Latin word “Deus,” “Deuce” is also used in interjections as a synonym for the Devil. Stanley, the master of Elysian Fields, who “plays the deuce” with Blanche—that is to say brings her to harm—has a symbolic name.“Kowalski” means “blacksmith” in Polish, and as such, is evocative of Hades, the chtonian god of the underworld.
The myth of Orpheus is synonymous with nostalgia, which combines the idea of suffering with that of an impossible return. Although she claims to be “adaptable to circumstances", Blanche remains faithful to the ideals of a bygone age and to the memory of the old plantation, “that great big place with the white columns". The description and the name “Belle Reve” suggest less a real place than the emblem of a mythicised ante-bellum South
Tennessee Williams was born in the southern state of Mississippi, where Belle Reve is supposed to be located. The next state to the west is Louisiana which includes New Orleans where the play is set.
Williams' father was descended from the Huguenots. They were french protestants who had to leave France in the 17th century due to persecution. Many settled in the south of America.
His mother and father did not have a happy life so he was used to living in a household of tension. Edwina resented having to leave their home in Mississippi for Cornelius' work and the loss of status they suffered.
His sister Rose suffered mental illness (depression). Some critics have suggested Blanche is based on her. In 1937, Rose was committed to a mental hospital. After accusing her father of rape, a pre-frontal lobotomy was performed on her.
Williams was homosexual and had a long term relationship but like Blanche was very promiscuous and didn't believe in fidelity.
Williams underwent intensive psychotherapy to free himself of his obsession with madness and death.
Like Blanche, Williams was an alcoholic and suffered depression, he was also addicted to tranquillisers. He too was admitted to a mental hospital later in his life, he died in 1983 after going to bed with wine and drugs.
Chekhov wrote a play called 'The Cherry Orchard' which shows a similar depiction to the decaying Belle Reve.
Williams was strongly influenced by Expressionist playwrights which gave way to 'Plastic Theatre' which was a phrase coined by Williams to describe the unrealistic and inventive use of stage craft.
New Orleans, according to Williams, symbolised 'artistic and sexual freedom' Williams first visited in 1938.
Where he lived in New Orleans he regularly saw two streetcars pass by, one called 'Desire' and the others 'Cemeteries', which he thought summed up the journey of life.
New Orleans was a melting pot of American, French, Mexican and African cultures and was a symbol for racial diversity living harmoniously. Williams considered New Orleans to be carefree and fun-loving and unconventional.
Polish immigrants would have been uneducated and labourers. Therefore they would have been working class. This adds class tension to the relationships between Stanley would be an emblem of the rising working class (proletariat) and Blanche of the doomed bourgeoisie.
Homosexuality was illegal for much of Williams' life. It was tolerated in New Orleans as it was more liberal but still it is thought that he hated being a homosexual and struggled to accept his sexual orientation.
Fantasy Vs Reality- 1
Sexuality / sexual attraction as damaging- 2
Sensitivity on the brink of extinction- 3
The unstoppable rise of brutality- 4
Inescapable influence of the past- 5
The end of the Old South- 6
Civilsation and Culture clash- 7
Mortality- 8
This is one of the most prevalent themes in the play due to the very present nature of mental health/illness.
This theme shows the gap between what Blanche sees and Reality, which comes about due to Blanche's ever-loosening grip on the present.
Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The antagonistic relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension.
This theme is expressed from the very beginning when mentioning the names of the Streetcars that lead Blanche to Elysian Fields- Cemeteries and Desire.
It is further expressed in every romantic / sexual pairing in the play: Stanley and Stella, Stanley and Blanche, Blanche and Mitch, Blanche and Allan, and Steve and Eunice.
Shown through Stanley and his friends' brutish ways and the frequent poker game. Also through Stanley's abuse of his wife and rape of his sister-in-law.
This theme is prevalent in the men in the play and particularly in the scenes with the poker scenes. The male aggression and toxic masculinity is especially present in this play near the end but is foreshadowed from the start when Stanley throws meat at Stella.
Also through Blanche's descent into fantasy and her detachment from reality by the end of the play. Her fate of being taken to a mental institution shows how sensitivity is being punished.
Blanche's obsession with death- 'Cemeteries'
This theme is shown between Blanche and Stanley and occasionally Stanley and Stella. Follows their allegorical meanings of the New and Old South and shows the difference in their ways of living and beliefs, especially over art and culture. A sub-theme of the end of the Old South.
Scene 1
"Meat {he heaves the package at her}"- 3, 4
"her appearance is incongruous to this setting"- 3, 5, 6, 7
"her delicate beauty must avoid a strong light. There is something about her uncertain manner, as well as her white clothes that suggest a moth"- 1, 3, 5, 6, 8
"atmosphere of decay"- 3, 4
"They told me to take a streetcar named Desire and then transfer to one called Cemeteries and ride 6 blocks and get off at- Elysian Fields!"- 2, 3, 8
"sits...hunched...her hands tightly clutching her purse as if she were quite cold"- 3, 5, 6
"{Nervously tamping cigarette} I was on the verge of - lunacy- almost!"- 1, 2, 3, 5
"New Orleans isn't like other cities"- 4, 7
"A different species"- 3, 4, 6, 7
"Belle Reve? Lost, is it? No!"- 3, 5, 6
"The long parade to the graveyard!" - Scene 2- "epic fornications"- 2, 5, 6, 7
"The Grim Reaper had put up his tent on our doorstep!...Stella. Belle Reve was his headquarters"- 2, 3, 5, 6, 8
"Animal joy...is implicit in all his movements and attitudes"- 3, 4, 7
Scene 2
"you're simple, straightforward and honest, a little bit on the primitive side I should think"- 3, 4, 7
"he seizes the atomizer and slams it down on the dresser"- 3, 4, 7
"these are love letters, yellowing with antiquity, all from one boy"- 2, 3, 5, 6, 8
"now you've touched them I'll burn them!
"what in hell are they?"- 3, 4, 5, 6, 7, 8
Scene 3
"it isn't on his forehead and it isn't genius"- 2, 3, 4
"they are men at the peak of their physical manhood, as course and direct and powerful as the primary colours"- 4, 7
"I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action"- 3, 5, 6, 8
"stalks fiercely through the portieres into the bedroom. He crosses to the small white radio and snatches it off the table. With a shouted oath, he tosses the instrument out of the window"- 1, 2, 3, 4, 6, 7, 8
"there is the sound of a blow"- 2, 3, 4
"dissonant brass and piano sounds as the rooms dim out to darkness and the outer walls appear in the night light"- 3, 4, 5, 7
"Stella slips down the rickety stairs in her robe. Her eyes are glistening with tears and her hair loose about her throat and shoulders"- 2, 3, 4
"they come together with low animal moans ...presses his face against her belly, curving a little with maternity"- 2, 3, 4, 6, 7
Scene 4
"it wasn't anything as serious as you seem to take it"- 1, 2, 3, 4
"on our wedding night... he snatched off one of my slippers and rushed about the place smashing light bulbs with it...i was - sort of- thrilled by it."- 1, 2, 3, 4, 7
"your fix is worse than mine is! Only you're not being sensible about it. I'm going to do something. Get hold of myself and make myself a new life"- 1, 2, 4, 5, 6, 8
"what such a man has to offer is animal force and he gave a wonderful exhibition of that! the only way to live with such a man is to- go to bed with him!"- 2, 3, 4, 6, 7
"there are things that happen in between a man and woman in the ark- that sort of make everything else seem- unimportant."- 2, 3, 4
"What you're talking about is brutal desire- just- Desire!"- 2, 3, 4
"there's something downright- bestial- about him!"- 2, 3, 4
"Stanley Kowalski- survivor of the stone age! Bearing raw meat home from the kill of the jungle...maybe he'll strike you or maybe he'll grunt and kiss you!"- 2, 3, 4
"such new things as art- as poetry and music- such kinds of new light have come into the world since then!"- 1, 2, 3, 4, 5, 6, 7
Pt 2
Scene 5
"soft people have got to court the favour of hard ones"- 1, 3, 4, 5, 6
"people don't see you- men don't- don't even admit your existence unless they're making love to you"- 2, 3, 4, 5, 6
"you make my mouth water"- 2, 3, 5, 6
Scene 6
"let's leave the lights off. Shall we?"- 1, 2, 3, 5, 6, 8
"Voulez-vous couchez avec moi ce soir? Vouz ne conprenez pas? Ah, quel dommage!"- 1, 2, 3, 6
"I guess it is just that I have- old fashioned ideals!" (she rolls her eyes, knowing he cannot see her face"- 3, 5, 6, 7
"You are not the delicate type. You have a massive bone-structure and a very imposing physique"- 2, 3, 4, 6, 7
"I made the discovery- love. All at once and much, much too completely. It was like you suddenly turned a blinding light on something that had always been half in shadow."- 1, 2, 3, 5, 6
"He was in the quicksands and clutching at me- but I wasn't holding him out, I was slipping in with him"- 2, 3, 5, 6, 8
"polka music sounds, in a minor key faint with distance... A few moments later- a shot!...the polka stops abruptly...then the polka resumes in a major key"- 1, 2, 3, 5, 6
"and then the searchlight which had been turned on the world was turned off again and never for one moment since has there been any light that's stronger than this - kitchen- candle"- 1, 2, 3, 5, 6, 8
"a clatter of aluminium striking a wall is heard, followed by a man's angry roar, shouts and overturned furniture. There is a crash; then a relative hush."- 2, 3, 4
Scene 7
"you know she's been feeding us a pack of lies here?"- 1, 3, 5, 6, 7
"she has been washed up like poison"- 2, 3, 6, 8
"this beautiful and talented man was a- degenerate"- 2, 3, 5, 7, 8
"singing in the bathroom a saccharine popular ballad which is used contrapuntally with Stanley's speech"- 1, 3, 4, 5, 6, 7
"Blanche's voice is lifted again, serenely as a bell"- 1, 3, 5, 6, 7
"he's not going to jump in a tank with a school of sharks- now!"- 2, 3, 4, 7
"the distant piano goes into a hectic breakdown"- 1, 2, 3, 5, 6, 7
Scene 8
"Blanche has a tight, artificial smile on her drawn face"- 1, 3, 5, 6
"Stanley pays no attention to the story but reaches over the table to spear his fork into the remaining chop which he eats with hi fingers."- 3, 4, 7
"Remember what Huey Long said- "Every Man is a King!" And I am the king around here, so don't forget it. {he hurls a cup and saucer to the floor}"- 2, 3, 4, 7
"What poetry!"- 6, 7
"I am not a Polack...I am...100% American, born and raised in the greatest country on earth and proud as hell of it."- 4, 6, 7
"The Varsouviana music steals in softly"- 1, 3
"I pulled you down off them columns and how you loved it, having them coloured lights going! And wasn't we happy together, wasn't it all okay till she showed here?"- 1, 2, 3, 4, 5, 6, 7
"The "Varsouviana" is heard, its music rising with sinister rapidity as the bathroom door opens slightly...she begins to whisper the words as the light fades slowly"- 1, 3, 5, 6, 7, 8
Scene 9
"The music is in her mind; she is drinking to escape it and the sense of disaster closing in on her"- 1, 3, 5, 6, 8
"My, my, what a cold shoulder! And a face like a thundercloud!"- 1, 3, 4, 7
"Have you ever had anything caught in your head?...that goes relentlessly on and on in your head?"- 1, 3, 5, 6, 7, 8
"A distant revolver shot is heard, Blanche seems relieved. There now, the shot! It always stops after that."- 1, 3, 5, 6, 8
"I don't want realism...I misrepresent things to them, I don't tell the truth, I tell what ought to be the truth...Don't turn the light on!"- 1, 3, 5, 6, 7, 8
"After the death of Allan- the intimacies with strangers was all I seemed to be able to fill my empty head with"- 1, 3, 5, 6, 8
"I thanked God for you, because you seemed to be gentle- a cleft in the rock of the world that I could hide in! The poor man's Paradise- is a little peace"- 1, 3, 5, 6,
"Death- I used to sit here and she used to sit over there and death was as close as you are..."- 1, 5, 6, 8
"Death...the opposite is desire"- 2, 8
"you're not clean enough to bring in the house with my mother."- 2, 3, 4, 5, 6, 7
"Blanche staggers back from the window and falls to her knees. The distant piano is slow and blue"- 2, 3, 5, 6, 7
Scene 10
"decked herself out in a somewhat soiled and crumpled white satin evening gown and a pair of scuffed silver slippers with brilliants set in their heels"-1, 5, 6
"Physical beauty is passing. A transitory possession. But beauty of the mind richness of the spirit and tenderness of the heart...aren't taken away, but grow! Increase with the years!"- 1, 3, 5, 6, 7
"Deliberate cruelty is not forgivable. It is the one unforgivable thing in my opinion and it is the one thing of which I have never, never been guilty."- 1, 3, 5, 6
"But I have been foolish- casting my pearls before swine!"- 1, 2, , 4, 5, 6, 7
The use of the 'blue piano' demonstrates the cyclical structure of the play in that it starts and ends with the same backing music - showing perhaps Blanche starts off the play lonely and continues through her story of her life and her need for companionship.
Locomotives: Stanley is associated with the locomotive- modern, powerful, raw, impressive- they represent Stanley who brings down Blanche by unmasking her truth. In every scene where truth is exposed about Blanche, the locomotive is more present. It can also be seen as symbolic of her desire to escape. A symbol of industrialisation and modernisation
The jungle noises, the Varsouviana, the locomotive noises etc all contribute to the sense of drama and tension on stage.
The main use of Expressionism in the play is the music, the music plays a vital part in building and releasing tension within the play along with documenting Blanche's descent into fantasy throughout the whole play.
"Our ways of life are too different. Our attitudes and our backgrounds are incompatible"- 7
"Lurid reflections appear on the walls around Blanch. The shadows are of a grotesque and menacing form."- 1, 3, 5, 6. 8
"The night is filled with inhuman voices like cries in a jungle. The shadows and lurid reflections move sinuously as flames along the wall spaces."- 1,4, 6
"He picks up her inert figure and carries her to the bed. The hot trumpet and drums from the Four Deuces sound loudly"- 1, 2, 3, 4, 5, 6, 7, 8
Scene 11
"To hold front position in this rat-race you've got to believe you are lucky"- 3, 4, 7
"Bathing" "I have just washed my hair" "I'm not sure I got the soap out" "old Madonna pictures. Are these grapes washed?" "That doesn't mean they've been washed...they're the only clean thing in the Quarter"- 1, 2, 3, 4, 5, 6, 7, 8
"I couldn't believe her story and go on living with Stanley." "Don't ever believe it."- 2, 3, 5, 6,
"She has a tragic radiance in her red satin robe following the sculptural lines of her body. The "Varsouviana" rises audible"- 1, 2, 3, 5, 6, 8
"the unmistakable aura of the state institution with its cynical detachment"- 3, 4, 6, 8
"lurid reflection appear on the walls in odd, sinuous shapes. The "Varsouviana"" is filtered unto weird distortion accompanied by the cries and noises of the jungle."- 1, 6
"He seizes the paper lantern, tearing it off the light bulb and extends it towards her. She cries out as if the lantern was herself"- 1, 3, 4, 5, 6, 8
"Whoever you are- I have always depended on the kindness of strangers"-1, 3, 6, 7, 8
"it is wrapped in a pale blue blanket"- 3, 4, 7
"she sobs with inhuman abandon...he kneels beside her and his fingers find the opening of her blouse"- 2, 3, 4, 7
"This game is seven-card stud!"- 2, 3, 4, 6, 7, 8
Sex is essentially a destructive force in A Streetcar Named Desire, though this destruction takes a variety of forms, including literal death, physical violence, mental degradation, the sullying of a good reputation, and even financial ruin. It’s very much tied to physical aggression, both in the sexual relations between husband and wife, but also in the play’s rape scene.
Blanche adapts the exterior world to fit her delusions. In both the physical and the psychological realms, the boundary between fantasy and reality is permeable. Blanche’s final, deluded happiness suggests that, to some extent, fantasy is a vital force at play in every individual’s experience, despite reality’s inevitable triumph.
Blanche- the most sensitive character in the play- has a very unfortunate ending and a difficult life showing how sensitivity is a burden in that society which links to the ideas of Social Darwinism within the play, sensitivity is on the brink of extinction because it is being out-competed in modern society.
Blanche’s fear of death manifests itself in her fears of aging and of lost beauty. She refuses to tell anyone her true age or to appear in harsh light that will reveal her faded looks. She seems to believe that by continually asserting her sexuality, especially toward men younger than herself, she will be able to avoid death and return to the world of teenage bliss she experienced before her husband’s suicide.
The notion of death in this play is deeply tied into sexuality and attraction. Seems irrevocably linked to the compelling nature of sexual attraction and freedom.
Mainly surrounds Blanche and her late family members which displays the idea of allegory in the play as Blanche is shown to be a symbol of the fading Old South.
The message is that indulging one’s desire in the form of unrestrained promiscuity leads to forced departures and unwanted ends. In Scene Nine, when the Mexican woman appears selling “flowers for the dead,” Blanche reacts with horror because the woman announces Blanche’s fate. Her fall into madness can be read as the ending brought about by her dual flaws—her inability to act appropriately on her desire and her desperate fear of human mortality.
Blanche's allegorical death- the idea of her fading out to be replaced by the New South (Stanley) is foreshadowed by her very name.
This theme follows Blanche mainly although it has its roots in Stella too. This theme shows how the past influences your future and how it is truly inescapable. This is mainly about Allan in Blanche's case, his death derails her emotionally and mentally which impacts her entire future including the events of the play.
This is intrinsically linked with the idea of Social Darwinism within the play as it shows Stanley and Mitch thriving in the new society as aggressive and 'bestial' men while Blanche fades out.
The belligerent and abusive men show the unstoppable rise of brutality, their physically and emotionally abusive nature displays this theme throughout the whole play.
The end of the Old South is truly shown when Stanley has his son and Blanche is taken away, the allegorical war of the antithetical periods is arguably the most prevalent theme in the whole play.
This also shows how Blanche is incapable of adapting to live in the new society which favours Stanley's kind and thus why she eventually dies out.
Blanche is an allegorical emblem of the Old South and Old South culture and values who is pitted against Stanley who is an emblem of the New South and New South ways of living. The allegorical war between the conflicting characters is a theme that runs through the whole play.
Belle Reve is a symbol of pre-civil war, almost aristocratic society. The name is again of French origin and means beautiful dream, which again emphasises Blanche’s tendency to cling to her illusions. The term suggests an illusion, which is not quite true, for the plantation really once existed. On the other hand, beautiful dream suggests that something beautiful, which has once existed, faded away. Therefore, the name’s symbolic meaning became true. But in contrast to Blanche’s other illusions, this is the only one that ever truly existed, and it s the only one that Stella and Blanche are both connected to, because it is their heritage, and it was real. However, looking more closely at the name, it reveals that there is a grammatical mistake. The adjective belle is feminine, but it should be masculine, for reve is masculine. Tennessee Williams probably did this on purpose and not by mistake, because it underlines the fact that Belle Reve was just a dream which crumbled. The grammatical mistake also implies a certain imperfection, which is also apparent and true for Blanche’s beautiful dream, her net of lies and false illusions.
Light- light and darkness represent truth and lies, Blanche's aversion to light is indicative of her tendency to cling to illusions and avoid the truth- to cultivate a fantasy world that is easier to live in than reality. He is very down to earth and realistic and displays this with his brutal honesty. For Stanley, the bright light exposes everything for what it is. He can only accept a literal truth, which can be experienced by his fanatic investigation of Blanche’s past.
In the first scene, Blanche is compared to an animal: “There is something about her uncertain manner, as well as her white clothes, that suggests a moth” (Williams 117). Both butterflies and moths start life as ugly caterpillars and only later transform into something more beautiful. The butterfly and cocoon symbol reflects Blanche’s attempts to re-create herself and, so to speak, spring forth a new, beautiful person from her cocoon of lies. In contrast to the butterfly, who lives during daytime, the moth mainly lives during the night, which makes it a creature of the darkness, and the butterfly one of the light. As already mentioned above, the butterfly leaves the dark cocoon to live in the light, but the moth stays in darkness for that is the time when it is feeding. This can be adapted to Blanche as it seems as though—contrasting with her name—it is her fate to live in the darkness, which symbolises ignorance. Blanche does not find a way out: at the end of the play she is being taken away to the mental institution, which means that she finally does not conquer her fate.
Stella's name- Stella is a Latin term which simply means star. Stars in general are considered to be the light which breaks through the darkness. Considering that light is the opposite of darkness, and darkness itself stands for not-knowing and intellectual dullness, the stars can be regarded as reality and knowledge shining through ignorance. Stars can also be a symbol for high ideals or goals set too high. Stella represents Blanche’s ideal concerning the fact that she is leading a contented life. The deeper significance of her name reveals her role in the play. The symbol of a star suggests light, hope and stability. This is quite a good description of her role and her position in the play. Stella is the connection between Blanche and Stanley, the two major characters, because she contains character traits of both of them, and can therefore relate to them better than anyone else can. Therefore she can be considered to be the stabilising element of the play. She is the negotiator between the two so very different characters.
Blanche's name- ]Since the colour white stands for purity, innocence and virtue, the symbolism of Blanche‘s first name reveals these qualities, which stand in contrast to her actual character traits. The name suggests that Blanche is a very innocent and pure person, but throughout the play it becomes obvious that Blanche cannot call any of these traits her own. Only the illusory image which she tries to create for herself suggests these traits, but her true nature is not like that at all. She constantly tries to hide her embarrassing past from all of her new acquaintances, because she fears that they might not accept her anymore. In order to maintain her apparent social status among her new neighbours and friends, she builds this intertwined net of lies which creates a false image of herself. She herself believes in this imaginary world, and as soon as there is the slightest sign of its destruction, she seems to be lost, and her nervous condition worsens. Therefore all she cares about is to keep that image alive. Her first name is therefore quite ironic since it means the exact opposite of Blanche’s true nature and character.