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Stories We Tell (Michael Moore (His theory - more 'playful'…
Stories We Tell
Michael Moore
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Provides a balance that he thinks doesn't exit - unethical, acused of misleading representation
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His theory - more 'playful' documentaries, they are like movies
Polley uses this through archieve footage, creates a sense of enjoyment fior the audience
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Cinematography
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Re-created shots, made to look like Archieve footage
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Mise-en-Scene
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Interviews all take place in a home environment/domestic setting - home is where family is together (same place, sense of home)
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Representation
Diane
Generally 'fun' - big laugher, sings, busy
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Although she cheated on Michael - she suffers with no hatred from anyone, still shown in a positive light
Tribute to Diane - contrast from start where she is possibly shown in a less flatering light (montage)
Michael
Michael is the narrator, its his letter he is reading out - viewpoint (quite previliged) he is also interviewed. The story is more swayed to his story and his side
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Portrays MIchael in a 'warm' way
- demonstrates Sarah's affection for him
- relationship has not been affected because she isn't his biological daughter
He becomes the focus
- he is content with how everything has ended up, doesnt want Sarah to be any different
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Editing
Montage showing all people who knew Diane - silent/tearly (upset) --> Continues with thoughtful refelctions of the people she affected.
Black screen (at end) then cut to the other thouht to be father - more humourous end and up lifting
final note of how it is impossible to know the truth
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