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Collections & Taxonomies (collecting in the past (collecting oral…
Collections & Taxonomies
collecting in the past
collecting oral traditions
poetry & song indistinguishable
poetry to be sung, oral literature poetry
earliest collections don't recognize this
Patrick MacDonald [no words]
Albyn's Anthology - prioritised english
more about audience?
airs in edited books only extant versions
can be reconstructed
must consider under predilections
upper stratum of society [MacInnes]
critiques of collections
instrumental versions
Marjorie Kennedy Fraser
wax cylinders with Lucy Broadwood [1908]
Gaelic songs to art music
popularise/reputation of gaelic song
influence on mod & culture [ethnographic value
Sparling - disadvantage
bawdy
emic editing process
interpreting collections
modern interpretations
placing songs in context
Margaret Fay Shaw
gathering of friends/family to talk and sing
romanticise traditional contexts
ceilidh
define & describe over 200 years
ignore other situations
needed to support older collections
categorised by genre/function
puirt-a-beul
untouched though widespread
neglected until recently
Lamb - absence of collections pre-1700
selectivity of collections
milling/commercial mills
benefits of collections
using a range of data
Cape Breton
1977 gaelic folklore archive
Lauchie MacLellan & Joe MacNeil
2000 songs
private collections & fieldwork
essential part of mutually reinforcing genres
creating taxonomies
issues with taxonomies
Gillies - according to subject matter
literary themes cross barriers
personal & universally appealing
Blankenhorn - taxonomies straightforward
unlikely to be all-encompassing
James Ross
clinical & taxonomical approach
before scientific application to culture
express utility vs meaning in culture
Blankenhorn's criticism
dissimilar criteria
each useful in own right
using the taxonomies
examine communities using vernacular compositions
understanding of individual repertoire
Shaw
benefits of etic perspective
aided by insights of Gaels themselves