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AoS E Wider Listening - Coggle Diagram

- - - - 1st Subject D Maj
      - Repeated in C Maj (unrelated)
      - Returns to D with irregular phase lengths
      - 2nd Subject D Maj and F Maj. Uses Neoclassical chord sequence
      - Codetta A Maj
      - Development D minor
      - Recap: C maj, D maj
- - - - Violin
      - Clarinet
      - Tenor Sax
      - Piano
      - Contrasting instruments
    - - Arco & Pizz
      - Detailed instructions for players
      - Extended instrumental techniques e.g tenuto and staccato
      - Large pitch range (at climax a range of 5 8ves)
      - Wide dynamic range
      - Spread chords
    - - Areas of Monophony
      - Contrapuntal
      - Mirror canon and as a result often only two parts playing at once
      - Pointilist Writing (Short phrases or notes create the colours
      - Klangfarbenmelodie (Sound colour melody)
    - - B1-5 Intro
      - B6-15 Exposition
      - Resembles Sonata form without use of modulations, keys or conventional subjects and development
      - B16-23 Development
      - B24-27 Link
      - B28-39 Recap
      - B39-43 Coda
    - - Prime Rows
      - Retrograde (reverse)
      - Inversion
      - Retrograde inversion
      - Verticalisation
      - Cantus Firmus
    - - Time sig changes
      - Use of 3 rhythmic motifs
      - Frequent use of rests
      - Slow Tempo
      - Precise Rhythms
      - Changes of Tempo
  - - - 2 flutes
      - 2 oboes
      - alto sax
      - 2 clarinets
      - bass clarinet
      - 2 bassoons
      - contrabassoon
      - 4 horns
      - 2 trumpets
      - 2 trombones
      - tuba
      - timpani
      - percussion
      - harp
      - strings
    - - 2 movements divided into two sections
        
        Andante (Prelude)
        
        Sonata Form
        
        Allegretto (Scherzo)
        
        Allegro (Cadenza)
        
        Adagio (Chorale Variations)
- - - - Extreme Dynamics
      - No sense of metre due to irregular accents
      - Lots of dissonance throughout
      - Simple rhythms
    - - Longer Pieces
      - More instruments
      - More chromaticism and Dissonance
- - - - Sprechsgesang
      - Atonality
      - Extremes of Register in Orchestration
      - Extended instrumental Techniques
      - Frequent time signature changes