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ITALIAN RENAISSANCE, image, image, image, image, image, image, image,…
ITALIAN RENAISSANCE
PHASES
TRECENTO
14th century
Giotto
QUATTROCENTO
15th century
Harmony and proportion
Brunelleschi
Botticelli
CINQUECENTO
16th century
Rome was artistic centre
Leonardo da Vinci
MANNERISM
1530
Italy
No proportion and harmony
Tintoretto
Cellini
MAIN REASONS FOR RENAISSANCE
Revival of Classical Greek and Roman culture
Arrival in Italy of Greek scholars
Roman remains in italy
People maintained by Patrons
Who paid them for their work
Important Patrons
Pope of Rome
Medici family
Sforza family
ARCHITECTURE
Roman and Greek art
Domes
Columns
Semi-circular arches
Triangular pediments
Friezes
Scrolls
Logitudinal and central plan
Italian Renaissance
Urban palaces
Town Halls
Squares
Hospitals
Theatres
Libraries
Rural Villas
Methods
Simplicity
Proportion
Open spaces
PAINTING AND SCULPTURE
New Interests
Idealism and serenity
Refelct reality
Ideal beauty
Mona Lisa
Botticelli
Madonas or virgins
Human body
Anatomy
Nudes
Venuses
Giorgione
Balance and proportion
Symmetric
Proportion
Guide the observer
New techniques and materials
Sculpture
Marble
Reliefs
Painting
Frescoes or Tempera
Oil technique
Painting on clothes
New subjects
Mythological themes
Portraits
Nature, landscapes and buildings
ITALIAN PAINTING AND SCULPTURE RENAISSANCE
Birth of Venus
Medici family
Boticelli
Tempera
Mythology
Gates of Paradise
Perspective by relief
Depth
Lorenzo Ghiberti
Techniques
Linear perspective
Blurring the background
Contrast of light and shadow
Symmetry
Volume
