Please enable JavaScript.

Coggle requires JavaScript to display documents.

Humanism and Renaissance, image, image, image, image, image, image, image,…

- - - - Sir Thomas More: Right of the individual conscience against the power of the state. Lawyer and author
      - Cardinal Cisneros: Humanism had a clear Christian character in Castilla.
      - Erasmus of Rotterdam: Individual’s freedom of choice. Criticised the vices of society, especially those at the heart of the Church
  - - - Johannes Gutenberg-1440:intellectual life was no longer restricted to monasteries and universities.
    - - Understand the world: revived the scientific method used in Ancient Greece and Rome, where the study of nature was based on observation and experimentation.
    - - Geocentric theory-Ptolemy (2nd century)
      - Heliocentric theory-Nicolaus Copernicus (16th century)
      - Galileo Galilei proved geocentrical theory with new invention: Telescope (17th century)(Church did not accept)
    - - Anatomy-Vesalius
      - Pulmonary circulation of blood-Miguel Servet
      - Pharmacology-Paracelsus
    - - Modern cartograhy-Gerardus Mercator-1569-parallels and meridians
- - - - 15 centruy (Geomerical harmonius shapes)
    - - 16 century (Monumental ancient architectures thanks to patronage
  - - - Sculptures in the round
      - Relief sculptures
- - - - A number of painters in the Holy Roman Empire combined the humanist concepts of Italian painting with the style developed in Flanders
    - - They demonstrate their power by building and decorating luxurious city palaces. The greatest innovations were in painting and were made by a group of artists known as the Flemish Primitives in the 15th century. Their style was characterised by realistic figures and concern for detail.
    - - In France, artistic innovations were influenced by the patronage and power of the monarchy. Architecture was particularly important
  - - - Purist style
      - Herrerian style
      - Plateresque style
    - - El Greco
        
        Strong contrast of light
        
        Bold, cold colours
        
        Elongated figures
        
        Loose brushtrokes
      - After the first third of the century, Italian approaches and styles began to be used. This style was known as Mannerism, which comes from the Italian maniera which means 'style'
    - - Use of polychrome wood to make the figures look realistic.
      - Arrangement of groups of figures in altarpieces.
      - Sculptures by royal sculptors
      - Funerary sculptures
      - Religious imaginary