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fight misinformation and disinformation with art, purposes - Coggle Diagram
fight misinformation and disinformation with art
the scope of the problem: -growth
-examples
-the danger
B-how to dismantle them
B-strategy
overflow-disorient
overwhelming personalized experience
C.3-THE FRAME_de-frame
2d, by the wall being the canvas- argument for graffiti and yarn bombing
3d by instead of surrounding the sculbture-being surrounded by the sculbture
disorient/overwhelm more, by colaging and stacking art above on another
C.1-overflow of content
D-physical-layout
cyber-baroque architecture
the inside is architecture as art
C.2-how passive and unbiased exhibition architecture can be
1 more item...
art inside is just 3d with no hue
module
mechenary
material
expandable mesh
extendable very stretchy cloth
1 more item...
preservance of the geometry
poshe structure
program+function
structure
5th facade
2nd outside calm
1st outside loud and functional
C-4/A.4-THE WALL-large wall surface area
mitochondria brain aelges
differential growth
C.1-scouting system(curatorial system)
art cloud where art can be stored accurately forever
immediate display
3d texturing geometry
fast tracking-fast importing system
index
doorway effect
to OVERWHELM
further disorientation. augmented realty-projection
edutainment
platforms
A
*
location
A.1-justification
the danger of unprecedented growth of misinfomovments in the us
to solidify(capitlizae) newyork's status as artworld capital-through international art works that tackle similar worldwide isuues
through importing the concerned type of informative art from all over the world
to overflow what's already overflawn
A.3-expensive landplot
assembly-ephemral
building
pop-up board/assembly small art gallery
invasive structur on existing buildings
A.2-CHALLENGE:limited area
purposes
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C-SOLLUTIONS-questioning the exhibition architecture
C.(forshadowing)questioning NY the curotorial model
we will deploy the building also to accommodate striving artists
it's competitive to have your art displayed your art, from anspectator stand point, not admission standpoint
that ould be demotivating to artists to pursue a career in art
art aren't accommodating enough artists, rejections
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