Robert Wilson
Basic Information
Born October 4, 1941, in Texas, USA
American playwright, producer, director
Background
Currently 79 years old
Experimental and avant-garde
Earned a degree in interior design in 1966
1968- started an experimental theatre group, the Byrd Hoffman School of Byrds, in NYC
Innovative lighting, space, and sound
Has produced Japanese Noh plays, Shakespearean plays, and operas
Has never studied theatre
Theatre Practice
Influences
Marlene Dietrich
Slow performing
German actor and singer
'Cold' movement, fiery voice
Conventions
Awkward/bold physical theatre
Minimalist decor and lighting
'Start strong and end big'
Abstract sets
Mask-like makeup
Precision, detail, controlled, structured
Byrd Hoffman
First exposure to performing arts
Deep understanding of the body
Relaxation and energy flow
Dance instructor
Helped correct Wilson's childhood speech impediment
Structurally, procedurally, emotionally, and visually controlled theatre allows for more truth
Acting natural is artificial. Acting artificially brings you closer to the truth.
Regulated voice- not robotic but not dynamic
Treats the floor and background as separate large units to be 'painted with light'
Keep the text as open-minded and as inexpressive as possible
Leave the text open for the audiences to experience and hear it for themselves and make up their own mind
Raymond Andrews
Adopted deaf son
Inspired Wilson to explore how different communication changes perception of the world
Giving marginalised communities a voice
Deafman Glance (1970)
Using movement and visual elements
Produces many psychology-driven pieces
Collaborations
Heiner Mueller
Phillip Glass