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SECULAR AND PROFESSIONAL THEATRE, (Medici Rule (Cassandra S.)), (Flamino…
SECULAR AND PROFESSIONAL THEATRE
Commedia dell'Arte (Katy H)
Set, stock characters. Specific masks and movement. Specific roles in each plot. The Lovers, the Miser, etc. (Katy H)
Lazzi (Admaris Torres)
Physicality specific to each stock character (Emily G)
Stock Characters (Bayana)
Improvised Playing (Griffin)
Plays were not published until they went through the performance test (Sab)
Vecchi/Old Men (Lorenne)
Innamorati/Lovers (Lorenne)
Masks are being used once again. (Lani)
Atellan Farce (Liz)
People didn't need the church; they were already God
Zanni (clowns) Emily G
"Fraternal Company of Comedies"(liz)
Establishment of the Comedy of Professionals (Lani)
Church performances shifted to secular performances - Jennifer S.
Traveling Becomes safer (James Hough
Arlecchino, pantomime (Natasha A.)
Italian Renaissance (Katy H)
Elizabethan Era (Admaris Torres)
Henry VIII (Emily O'Brien)
Toby Malone almost names his son after Henry the VII (James Hough
Middle Ages (Justin Harter)
Feast of Fools (Justin Harter)
Mumming(Julia R)
Humanism -Kamal
Carlo Goldoni (Kayla)
Charlemange (Matt Georgiades)
Papal States (Matt Georgiades)
Holy Roman Empire(Julia R)
Awareness of audience needs - Jennifer S.
Commedia dell'Arte (English translation) - Comedy of the Professionals (AJ Battista)
Happy endings in plays -Jennifer S.
Men dressing in drag not considered comedic in tragedy plays (Emily G)
Satire(Lorenne)
The Borgias -Jennifer S.
Catholic Church (AJ Battista)
Maria: Everyman by the Summonins
Maria: humanizing lesson, not preaching
Chambers of Rhetoric - Jennifer S.
Improv in Comedia (Bayana)
Protestant Reformation (Griffin)
Development of secular plays (Emily O'Brien)
The Genre of Farces (James Hough)
End of Cycle Plays (Rachel Monson)
Ninety-five Theses (Rachel Monson)
Tenets for Christian beliefs (Abby)
Accrobatics in comedia (Bayana)
Division between Roman Catholicism and new Protestant traditions (Abby)
Ostrogoths (Eric Randazzo)
SARAH
Satire has been made
Teatro Olimpico
Isabella Andreini
Protestant Reform
Medici Rule (Cassandra S.)
Flamino Scala's I Gelosi (Kayla)
Playwright, director, producer, etc. (Natasha A.)
"Virtue, fame and honour made us jealous" (Natasha A.)
Take me back to Constantinople
(Rachel Monson)
No You Can't Go Back to Constantinople
Holy Crusades (Cassandra Slough)