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Rochester (First meeting Jane (falls off his horse) (voice (anger, trying…
Rochester
First meeting Jane (falls off his horse)
voice
anger, trying to claw back his status - rude, rough tone
gives sense of arrogant tone
aggressive, commanding tone
angry out of embarassment
wildly aggressive
movement
jolted movements on the floor - pain, embarrassment, humiliating
holds his leg - where he hurt himself
use of space
levels choice - on the floor = opposes the status he gives himself in his acting choices
lower than Jane
interaction
unkind to Jane
embarrassed about falling off horse in front of attractive, common woman
Jane and Rochester talk in the study/drawing room for first time
Voice
very rude even on a regular day - what he's always like
He is scary - Jane is breathy in her voice
movement
sitting with alcohol = relaxed
use of space
he is turned slightly away from her - relaxed + comfortable + regaining his power
she is sat on the edge of her seat - tense, nervous, uncomfortable
interaction
eye contact - foreshadowing intimacy to come
first time they shake hands - he grabs her wrist in possessive way, start of their relationship
Jane tells Rochester she's leaving when she thinks he'll marry miss Ingram
voice
Rochester softens his voice - starts to be gentle and more kind
she starts screaming - aggression, inner passion, anger he's getting married
He shouts "marry me!"
both yelling while agreeing to get married
movement
she won't look at him
she walks away from him
he keeps following her and wants her to stay
start kissing - submit to each other
use of space
closer proxemics
levels - he is higher up than her - he's on scaffolding she's on floor
consequences of marrying below your status
interaction
eye contact - ongoing flirtation
close proxemics - she re-initiates the distance
she ends up higher - end up with more power
Jane and Rochester when Jane finds out about Bertha in attic
Use of space
They fight
interaction
Rochester begs Jane not to leave - gets on his knees
Movement
she says "no, I'm leaving" - he hugs her and won't let go and holds her in - she fights back to be set free
Voice
she insists she must leave - betrayed
Change in Rochester after fire
movement
shrunk posture
nervous facial expression - clenched jaw
tentative
use of space
feeling around stage - new vulnerability from blindness
loss of confidence in the way he moves around the stage
voice
stuttering
can't believe she's come home
more gentle tone
softer, quieter
less confident
joy she's come back
interaction
much closer to his dog - reliant on him
flinches away from Jane grabbing his hand
arm tremor - gentle, vulnerable
works out who she is