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Audiences in the Digital Space (Participatory Culture (User Favored…
Audiences in the Digital Space
Labor
Jones, Hillary A. "New media producing new labor: Pintrest, yearning, and self-surveillance."
Critical Studies in Media Communication
, vol. 33, no. 4, 2016, pp. 352-365.*
Terranova, Tiziana. "Free Labor: Producing Culture for the Digital Economy."
Social Text
, vol. 18, no. 2, 2000, pp. 33-58.*
Duffy, Brooke. "Amateur, Autonomous, and Collaborative: Myths of Aspiring Female Cultural Producers in Web 2.0."
Critical Studies in Media Communication
, vol. 32, no. 1, 2015, pp. 48-64.
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Participatory Culture
Industrially Favored
O'Neill, Michael. ""We Put the Media in (Anti)social Media": Channel 4's Youth Audiences, Unofficial Archives and the Promotion of Second-Screen Viewing."
Popular Media Cultures: Fans, Audiences and Paratexts
, edited by Lincoln Geraghty, 2015, pp. 17-38.
Andrejevic, Mark. "Watching Television Without Pity: The Productivity of Online Fans."
Television & New Media
, vol. 9, no.1, 2008, pp. 24-46.
User Favored
Jenkins, Henry. "Quentin Tarantino's
Star Wars?
: Grassroots Creativity Meets the Media Industry."
Rethinking Media Change: The Aesthetics of Transition
, edited by Jenkins and David Thorburn, 2003, pp. 131-168.
Mittell, Jason. "Sites of Participation: Wiki Fandom and the Case of Lostpedia."
Transformative Works & Culture
, vol. 3, 2009.
Christian, Aymar Jean. "Open TV Representation: Reforming Cultural Politics."
Open TV: Innovation Beyond Hollywood and the Rise of Web Television
, 2018.
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Bennett, James. "Architectures of Participation: Fame, Television, and Web 2.0."
Television as Digital Media
, edited by Bennett and Niki Strange, 2011, pp. 332-357.
Jenkins, Henry, et. al. "Creating Spreadable Media."
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Wrather, Kyle. "Making 'Maximum Fun' for fans: Examining podcast listener participation online."
The Radio Journal: International Studies in Broadcast & Audio Media
, vol. 14, no. 1, pp. 43-63.
Booth, Paul. "Time and relative dimensions on line:
Doctor Who
, wikis and the production of narrative/history."
Interactions: Studies in Communication and Culture
, vol. 1, no. 3, 2009, pp. 331-349.
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Industry
Infrastructure
Holt, Jennifer and Patrick Vonderau. ""Where the Internet Lives": Data Centers as Cloud Infrastructure."
Signal Traffic: Critical Studies of Media Infrastructures
, edited by Lisa Parks and Nicole Starosielski, 2015, pp. 71-93.
Marx, Nick. "Storage Wars: Clouds, Cyberlockers, and Media Piracy in the Digital Economy."
Journal of e-Media Studies
, vol. 3, no. 1, 2013, pp. 1-27.
Analysis
McDonald, Scott. "The Long Tail and Its Implications for Media Audience Measurement."
Journal of Advertising Research
, vol. 48, no. 3, 2008, pp. 313-319.
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Arsenault, Amelia H. "The datafication of media: Big data and the media industries."
International Journal of Media & Cultural Politics
, vol. 13, nos. 1-2, 2017, pp. 7-24.
Video On-Demand Platforms
Wayne, Michael L. "Netflix, Amazon, and branded television content in subscription video on-demand portals."
Media, Culture & Society
, 2017, pp. 1-17.
Tryon, Chuck. "TV Got Better: Netflix's Original Programming Strategies and Binge Viewing."
Media Industries Journal
, vol. 2, no. 2, 2015, pp. 104-116.
Vonderau, Patrick. "The Politics of Content Aggregation."
Television & New Media
, vol. 16, no. 8, 2015, pp. 717-733.
Powers, Eli. "Building Buzz and Episodes with Bite-Sized Content: Portlandia's Formula for Turning a Video Project into a Television Series."
Journal of Broadcasting and Electronic Media
, vol. 58, no. 3, pp. 342-364.
Keane, Michael. "Disconnecting, Connecting, and Reconnecting: How Chinese Television Found Its Way Out of the Box."
International Journal of Communication
, vol. 10, 2016, pp. 5426-5443.
Identity
Cohn, Jonathan. "My TiVo Thinks I'm Gay: Algorithmic Culture and Its Discontents."
Television & New Media
, vol. 17, no. 8, 2016, pp. 675-690.
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Stein, Louisa Ellen. "Tumblr Fan Aesthetics."
The Routledge Companion to Media Fandom
, edited by Melissa A. Click and Suzanne Scott, 2017, pp. 86-97.
Ellcessor, Elizabeth. "The Net Experience: Intersectional Identities and Cultural Accessibility."
Restricted Access: Media, Disability, and the Politics of Participation
, 2016, pp. 157-186.