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How do Marina's performances challenge and/or activate her audiences?
How do Marina's performances challenge and/or activate her audiences?
Ethics
"You don't have to do this"
Refusal to participate
Performer's personhood made even more acute
Empathy/Sympathy/mirroring
"Yes she does"
Performer = not a real person?
Performer activating/ "validating" sadistic voyeur urge?
Performer as object
Performance as social experiment
Rhythm 0 v. Stanford/Milgram experiments
What is the public sphere?
Live witnesses?
Those who read about it afterwards?
Level of knowledge/appreciation for art?
Going in expecting something
Going in without knowing anything
3.The art is created by the viewer
Rhythm 5
Performance extending beyond its limits (5-point star/stage)
The events are hijacked; performance is not the work of the performer (death of the author?)
Rhythm 0
could have not turned violent
crowed ended the art piece themselves